Bharat Devotion
Embroidered artwork for Kalyanamandirastotra – Il tempio della beatitudine: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Kalyanamandirastotra – Il tempio della beatitudine

Kalyanamandirastotra – Il tempio della beatitudine

Il 'Kalyanamandirastotra' è un inno giainista di lode al Jina, il maestro spirituale illuminato. Attraverso versi che celebrano la potenza del suo nome e dei suoi piedi di loto, il testo invita a superare ogni sofferenza e a raggiungere la pace eterna.

Versi

Kaliāṇamandirastotram Oṃ Namaḥ Siddhabhiaḥ
Kalyan Mandir Stotram Om Namah Siddhebhyah

Verso 1

Iatkānticiandramasi Maggianamuggitābhra- Viāsaṅgamaṅgalaguṇeshu Iadutsavashrīḥ Tadbrahma Kiṃcidapi Kāciana Naḥ Pareshām Ābhāti Tattvamamalaṃ Prathamaṃ Ginendram
Yat Kanti Chandramasi Majjanam Ujjhitabhra Vyasanga Mangala Guneshu Yadutsavashrih Tad Brahma Kinchidapi Kachana Nah Paresham Abhati Tattvam Amalam Prathamam Jinendram

Verso 2

Saṃsāraghoragahane Ciaratāṃ Ciarāṇām Utpashiatāṃ Bhavamarutpathi Tāpatāpaiḥ Tvatpādapaṅkagiaragiaḥkaṇasañciaio'sau Bhūiādbhavaviasanabheshagiamaṅgalānām
Samsara Ghora Gahane Charatam Charanam Utpashyatam Bhava Marutpathi Tapataapaih Tvat Paada Pankaja Rajah Kana Sanchayo'sau Bhooyad Bhava Vyasana Bheshajam Mangalanam

Verso 3

Bhaktāmarendrapariciarcitapādapadma- Iugmaṃ Munīndramahitaṃ Prathitaprabhāvam Bhaktipravaṇemanasā Bhavatā Praṇītaṃ Vande Ginendramanishaṃ Bhavatāpashāntiai
Bhaktamarendra Paricharchita Paada Padma Yugmam Munindra Mahitam Prathita Prabhavam Bhakti Pravane Manasa Bhavata Praneetam Vande Jinendram Anisham Bhava Taapa Shantyai

Verso 4

Ambhonidhau Kshubhitaciaṇḍataraṅgamālāva- Rte'pi Ghoramakareshu Bhaiātureshu Tvannāmamantramanucintaiatāṃ Gianānām Ālambanaṃ Bhavati Tadbhavaduḥkhahāri
Ambhonidhau Kshubhita Chanda Tarangamaala Varte'pi Ghora Makareshu Bhayatureshu Tvat Naama Mantram Anuchintayatam Jananam Aalambanam Bhavati Tad Bhava Dukhahaari

Verso 5

Udgaciadunnatapaṇāsu Maṇikshareshu Viālasia Ghoravishamagnadashāgatānām Tvannāma Kīrtaiatu Kāñcianadiviaratna- Ciāiāciaṭāprashamitaṃ Vishamugramāshu
Udgachhad Unnata Phanaasu Mani Kshareshu Vyaalasya Ghora Visha Magna Dashaagatanam Tvat Naam Keertayatu Kanchana Divya Ratna Chhaya Chhata Prashamitam Visham Ugram Aashu

Verso 6

Maggiadvipūlagagiaghoraghaṭāvamardi- Saṅgrāmadhūmamadhivāsitasarvadikshu Tvatpādapadmaiugalaṃ Manasā Smarāṇāṃ Sadio Giaiaḥ Samabhavadvigiaiī Gianānām
Majjad Vipula Gaja Ghora Ghataavamardi Sangrama Dhoomam Adhivaasita Sarva Dikshu Tvat Paada Padma Yugalam Manasa Smaranam Sadyo Jayah Samabhavad Vijayee Jananam

Verso 7

Unmattavāraṇagagendraturaṅgamāḍhia- Saṅgrāmabhūmishu Raṇeshu Parāgiaiantaḥ Tvatpādapadmaiugalaṃ Manasā Smarāṇāṃ Shatrūnnihatia Suciraṃ Vigiaiaṃ Labhante
Unmatta Vaarana Gajendra Turangamaadhya Sangrama Bhoomishu Raneshu Paraajayantah Tvat Paada Padma Yugalam Manasa Smaranam Shatroon Nihatya Suchiram Vijayam Labhante

Verso 8

Ānītagāḍhatimiraṃ Mahadandhakāraṃ Dagdhodareshu Bhuvi Dustaravahnikāle Tvannāma Kīrtanaratāḥ Purushā Labhante Nirvāṇashītalapadaṃ Padamaprameiam
Aaneeta Gaadha Timiram Mahad Andhakaram Dagdhodereshu Bhuvi Dustara Vahni Kaale Tvat Naam Keertan Ratah Purusha Labhante Nirvaana Sheetala Padam Padam Aprameyam

Verso 9

Uttaṃsabaddhāsuraciandrakaciūrṇakānti- Saṃsaktamañgiumaṇipādavibhūshaṇānām Vandāruvṛndanamite Ciaraṇe Munīndrāḥ Stuvanti Te Guṇagaṇānbhuvi Muktihetoḥ
Uttamsa Baddha Asura Chandraka Choona Kanti Samsakta Manju Mani Paada Vibhooshananam Vandaaru Vrinda Namite Charane Munindrah Stuvanti Te Guna Ganan Bhuvi Mukti Hetoh

Verso 10

Tvatpādapadmaiugale Namitāmarāṇāṃ Mauliprapullakamalodarasaṃsravadbhiḥ Bhṛṅgaiḥ Samaṃ Bhramaraiḥ Saha Gītakīrte Saṃseviate Ciaraṇapaṅkagiameva Nitiam
Tvat Paada Padma Yugale Namitamaranam Mauli Praphulla Kamalodara Samsravadbhih Bhringaih Samam Bhramarih Saha Geeta Keerte Samsevyate Charana Pankajam Eva Nityam

Verso 11

Kiṃ Mandamandaciaraṇaiḥ Kṛtasārathitvaṃ Bhṛṅgāvalīpravilasanmaṇihārashobhi Tvatpādāravindaiugalaṃ Manasā Smarāṇāṃ Saṃsāravāridhimalaṃ Taranti Santaḥ
Kim Manda Manda Charanaih Krita Saarithitvam Bhringaavali Pravilasan Mani Haara Shobhi Tvat Paadaaravinda Yugalam Manasa Smaranam Samsaara Vaaridhim Alam Taranti Santah

Verso 12

Tvatpādapadmaiugalaṃ Namatāṃ Narāṇāṃ Kiṃ Durlabhaṃ Bhavatu Maṅgalakoṭisaṅghaiḥ Iasia Smaraṇamātreṇa Sakalāni Duḥkhāni Nashianti Gianmamaraṇādikaduḥkhagiātāḥ
Tvat Paada Padma Yugalam Namatam Naranam Kim Durlabham Bhavatu Mangala Koti Sanghaih Yasya Smarana Maatrena Sakalani Dukhani Nashyanti Janma Maranaadika Dukha Jaatah

Verso 13

Tvatpādapadmaiugalaṃ Paribhramantaṃ Bhṛṅgaṃ Samālapatu Kiṃ Nanu Deva Tasiāḥ Kiṃ Vā Na Gaciati Divaṃ Bhuvi Muktimārge Samprāpia Ciāmaramarunmarutāmdhināthaḥ
Tvat Paada Padma Yugalam Paribhramantam Bhringam Samaalapatu Kim Nanu Deva Tasyah Kim Va Na Gachhati Divam Bhuvi Mukti Maarge Sampraapya Chaamara Marun Marutaam Dhinaathah

Verso 14

Kiṃ Mandamandagamanena Na Kiṃ Nu Deva Tvatpādāravindaiugalaṃ Hṛdi Saṃdadhānām Sadiaḥ Pralīiata Iiaṃ Bhuvi Pāparāshira- Bdhau Iathā Gialadharā Gialamaṅgalānām
Kim Manda Manda Gamanena Na Kim Nu Deva Tvat Paadaaravinda Yugalam Hridi Samdadhanam Sadyah Praleeyata Iyam Bhuvi Paapa Raashir Abdhau Yatha Jaladhara Jala Mangalanam

Verso 15

Kiṃ Kiñcidapiapi Cia Karmamalaṃ Gianānāṃ Saṃsārabandhanakaraṃ Na Hi Iasia Nāma Gāianti Te Guṇagaṇānmunaio Bhavāntaṃ Te Prāpnuvanti Paramaṃ Padamaprameiam
Kim Kinchid Apyapi Cha Karma Malam Jananam Samsaara Bandhana Karam Na Hi Yasya Naam Gaayanti Te Guna Ganan Munayo Bhavantam Te Praapnuvanti Paramam Padam Aprameyam

Verso 16

Kiṃ Kiñcidapiapi Cia Gianmagiarābhaiaghnaṃ Tvannāma Mantramanishaṃ Manasā Smarāṇām Sadiaḥ Pranashiati Surāsurapūgitasia Saṃsāraduḥkhamakhilaṃ Bhavatāpashāntiai
Kim Kinchid Apyapi Cha Janma Jara Bhayaghnam Tvat Naam Mantram Anisham Manasa Smaranam Sadyah Pranashyati Suraasura Poojitasya Samsaara Dukham Akhilam Bhava Taapa Shantyai

Verso 17

Udgīrṇavahnikaṇadagdhavanaprānte Saṃsāraghoragahane Ciaratāṃ Ciarāṇām Tvannāma Kīrtanaratāḥ Purushā Labhante Nirvāṇashītalapadaṃ Padamaprameiam
Udgeerna Vahni Kana Dagdha Vana Praante Samsaara Ghora Gahane Charatam Charanam Tvat Naam Keertan Ratah Purusha Labhante Nirvaana Sheetala Padam Padam Aprameyam

Verso 18

Shakrendravaidiutasurendrasunīlakānti- Saṃsaktamañgiumaṇipādavibhūshaṇānām Vandāruvṛndanamite Ciaraṇe Munīndrāḥ Stuvanti Te Guṇagaṇānbhuvi Muktihetoḥ
Shakrendra Vaidyuta Surendra Suneela Kanti Samsakta Manju Mani Paada Vibhooshananam Vandaaru Vrinda Namite Charane Munindrah Stuvanti Te Guna Ganan Bhuvi Mukti Hetoh

Verso 19

Kiṃ Tena Gianmapalamabdhinivāsināṃ Cia Iaiḥ Prāptamambudhigialaṃ Cia Suvarṇaratnam Ie Tvatpadaikarasitā Bhuvi Muktibhāgio Gāianti Te Guṇagaṇānbhuvi Muktihetoḥ
Kim Tena Janma Phalam Abdhi Nivaasinam Cha Yaih Praaptam Ambhudhi Jalam Cha Suvarna Ratnam Ye Tvat Padaika Rasita Bhuvi Mukti Bhaajo Gaayanti Te Guna Ganan Bhuvi Mukti Hetoh

Verso 20

Kiṃ Tena Gianmapalamaṅgalakoṭisaṅghaiḥ Saṃsārabandhanakaraṃ Na Hi Iasia Nāma Gāianti Te Guṇagaṇānmunaio Bhavāntaṃ Te Prāpnuvanti Paramaṃ Padamaprameiam
Kim Tena Janma Phalam Mangala Koti Sanghaih Samsaara Bandhana Karam Na Hi Yasya Naam Gaayanti Te Guna Ganan Munayo Bhavantam Te Praapnuvanti Paramam Padam Aprameyam

Verso 21

Kiṃ Tasia Pāpakalanaṃ Vimalasia Tasia Saṃsāraghoragahane Ciaratāṃ Ciarāṇām Tvannāma Kīrtanaratāḥ Purushā Labhante Nirvāṇashītalapadaṃ Padamaprameiam
Kim Tasya Paapa Kalanam Vimalasya Tasya Samsaara Ghora Gahane Charatam Charanam Tvat Naam Keertan Ratah Purusha Labhante Nirvaana Sheetala Padam Padam Aprameyam

Verso 22

Kiṃ Tasia Maṅgalashataiḥ Shamitaiḥ Samastā- Nārādhitāmaragaṇaishcia Kṛtaiḥ Prasādaiḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Mangala Shataih Shamitaih Samasta Naaraadhitaamara Ganaishcha Kritaih Prasadaikh Yasya Sthita Tava Katha Hridi Mangalanam Samsaara Taaranamayee Bhava Taapa Shantyai

Verso 23

Kiṃ Tasia Gianmasapalaṃ Bhuvi Mānavānāṃ Ieshāṃ Na Paṅkagiaiugaṃ Tava Mandamandam Bhṛṅgāvalīpravilasanmaṇihārashobhi Cetasialaṃ Vilasati Pravilīnamoham
Kim Tasya Janma Saphalam Bhuvi Manavanam Yesham Na Pankaja Yugam Tava Manda Mandam Bhringaavali Pravilasan Mani Haara Shobhi Chetasyalam Vilasati Pravileena Moham

Verso 24

Kiṃ Tena Dānamakhilaṃ Giagatāṃ Kṛtaṃ Siāt Kiṃ Vā Tapo Niiamasaṃiamapañciatāpi Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tena Daanam Akhilam Jagatam Kritam Syaat Kim Va Tapo Niyama Samyama Panchataapi Yasya Sthita Tava Katha Hridi Mangalanam Samsaara Taaranamayee Bhava Taapa Shantyai

Verso 25

Kiṃ Tasia Tīrthamupasevitamaprameiaiḥ Kiṃ Vā Kṛtaṃ Tadadhunā Bhuvi Bhūtanāthaiḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Teertham Upasevitam Aprameyaih Kim Vaa Kritam Tad Adhuna Bhuvi Bhootnaathaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 26

Kiṃ Tasia Mantragiapakoṭishataiḥ Kṛtaishcia Kiṃ Vā Kṛtaṃ Tapasi Dushkarakoṭibhirvā Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Mantra Jap Koti Shataih Kritaish Cha Kim Vaa Kritam Tapasi Dushkar Kotibhir Vaa Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 27

Kiṃ Tasia Dānamaiagiagñasutaptatapobhiḥ Kiṃ Tīrthasevanashataishcia Kṛtaiḥ Samastāḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Daan May Yagya Sutapt Tapobhih Kim Teerth Sevan Shataish Cha Kritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 28

Kiṃ Tasia Mandamatibhiḥ Kṛtamatra Loke Kiṃ Vā Kṛtaṃ Suciaritaiḥ Sukṛtaiḥ Samastāḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Manda Matibhih Kritam Atra Loke Kim Vaa Kritam Sucharitaih Sukritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 29

Kiṃ Tasia Maṅgalashataiḥ Shamitaiḥ Samastā- Nārādhitāmaragaṇaishcia Kṛtaiḥ Prasādaiḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Mangal Shataih Shamitaih Samastaa Naaraadhitaamar Ganash Cha Kritaih Prasaadaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 30

Kiṃ Tasia Gianmasupalaṃ Bhuvi Mānavānāṃ Ieshāṃ Na Paṅkagiaiugaṃ Tava Mandamandam Bhṛṅgāvalīpravilasanmaṇihārashobhi Cetasialaṃ Vilasati Pravilīnamoham
Kim Tasya Janma Suphalam Bhuvi Maanvaanaam Yeshaam Na Pankaj Yugam Tav Manda Mandam Bhringaavali Pravilasan Mani Haar Shobhi Chetasya Lam Vilasati Pravileen Moham

Verso 31

Kiṃ Tena Dānamakhilaṃ Giagatāṃ Kṛtaṃ Siāt Kiṃ Vā Tapo Niiamasaṃiamapañciatāpi Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tena Daanam Akhilam Jagataam Kritam Syaat Kim Vaa Tapo Niyam Sanyam Panchataapi Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 32

Kiṃ Tasia Tīrthamupasevitamaprameiaiḥ Kiṃ Vā Kṛtaṃ Tadadhunā Bhuvi Bhūtanāthaiḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Teertham Upasevitam Aprameyaih Kim Vaa Kritam Tad Adhuna Bhuvi Bhootnaathaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 33

Kiṃ Tasia Mantragiapakoṭishataiḥ Kṛtaishcia Kiṃ Vā Kṛtaṃ Tapasi Dushkarakoṭibhirvā Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Mantra Jap Koti Shataih Kritaish Cha Kim Vaa Kritam Tapasi Dushkar Kotibhir Vaa Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 34

Kiṃ Tasia Dānamaiagiagñasutaptatapobhiḥ Kiṃ Tīrthasevanashataishcia Kṛtaiḥ Samastāḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Daan May Yagya Sutapt Tapobhih Kim Teerth Sevan Shataish Cha Kritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 35

Kiṃ Tasia Mandamatibhiḥ Kṛtamatra Loke Kiṃ Vā Kṛtaṃ Suciaritaiḥ Sukṛtaiḥ Samastāḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Manda Matibhih Kritam Atra Loke Kim Vaa Kritam Sucharitaih Sukritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 36

Kiṃ Tasia Maṅgalashataiḥ Shamitaiḥ Samastā- Nārādhitāmaragaṇaishcia Kṛtaiḥ Prasādaiḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Mangal Shataih Shamitaih Samastaa Naaraadhitaamar Ganash Cha Kritaih Prasaadaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 37

Kiṃ Tasia Gianmasupalaṃ Bhuvi Mānavānāṃ Ieshāṃ Na Paṅkagiaiugaṃ Tava Mandamandam Bhṛṅgāvalīpravilasanmaṇihārashobhi Cetasialaṃ Vilasati Pravilīnamoham
Kim Tasya Janma Suphalam Bhuvi Maanvaanaam Yeshaam Na Pankaj Yugam Tav Manda Mandam Bhringaavali Pravilasan Mani Haar Shobhi Chetasya Lam Vilasati Pravileen Moham

Verso 38

Kiṃ Tena Dānamakhilaṃ Giagatāṃ Kṛtaṃ Siāt Kiṃ Vā Tapo Niiamasaṃiamapañciatāpi Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tena Daanam Akhilam Jagataam Kritam Syaat Kim Vaa Tapo Niyam Sanyam Panchataapi Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 39

Kiṃ Tasia Tīrthamupasevitamaprameiaiḥ Kiṃ Vā Kṛtaṃ Tadadhunā Bhuvi Bhūtanāthaiḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Teertham Upasevitam Aprameyaih Kim Vaa Kritam Tad Adhuna Bhuvi Bhootnaathaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 40

Kiṃ Tasia Mantragiapakoṭishataiḥ Kṛtaishcia Kiṃ Vā Kṛtaṃ Tapasi Dushkarakoṭibhirvā Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Mantra Jap Koti Shataih Kritaish Cha Kim Vaa Kritam Tapasi Dushkar Kotibhir Vaa Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 41

Kiṃ Tasia Dānamaiagiagñasutaptatapobhiḥ Kiṃ Tīrthasevanashataishcia Kṛtaiḥ Samastāḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Daan May Yagya Sutapt Tapobhih Kim Teerth Sevan Shataish Cha Kritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 42

Kiṃ Tasia Mandamatibhiḥ Kṛtamatra Loke Kiṃ Vā Kṛtaṃ Suciaritaiḥ Sukṛtaiḥ Samastāḥ Iasia Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamaiī Bhavatāpashāntiai
Kim Tasya Manda Matibhih Kritam Atra Loke Kim Vaa Kritam Sucharitaih Sukritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 43

Iti Shrīsiddhasenadivākarasūriviracitaṃ Kaliāṇamandirastotraṃ Sampūrṇam
Iti Shri Siddhasen Divaakar Soori Virachitam Kalyaan Mandir Stotram Sampoornam

Verso 44

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contesto

Questo inno fa parte della tradizione giainista, un'antica religione indiana che insegna la non-violenza e la liberazione dell'anima. È tradizionalmente attribuito a Siddhasena Divākara, un celebre monaco e filosofo giainista vissuto intorno al V secolo. Il 'Kalyanamandirastotra' viene recitato dai devoti come preghiera quotidiana per invocare la protezione e la benedizione del Jina (il vittorioso, termine con cui i giainisti chiamano i loro maestri spirituali illuminati, i Tirthankara), chiedendo la pace interiore e la liberazione dal ciclo delle rinascite.

Su questo Testo

Composto da: Acharya Kumudachandra

Lo sapevi?

Autore e contesto

Il Kalyāṇamandirastotra è composto da Siddhasena Divākara, un celebre monaco e filosofo giainista del V–VI secolo d.C. Il suo nome significa “sole” e la tradizione lo ricorda per aver convertito molti re e studiosi con la sua dialettica.

Struttura e tema centrale

L’inno conta 43 versi in sanscrito, molti dei quali ripetono lo stesso schema ritmico. Il cuore del testo è la potenza salvifica del nome e dei piedi di loto del Jina (il “Vittorioso”): essi cancellano ogni sofferenza e conducono alla liberazione dal ciclo delle rinascite.

Rituali esteriori vs. devozione interiore

In numerose strofe (dalla 24 alla 42) il poeta afferma che senza la presenza del Jina nel cuore, doni, sacrifici, pellegrinaggi e persino severe penitenze sono inutili. È un forte richiamo a una devozione sincera (bhakti) al di sopra delle pratiche formali.

Immagini simboliche della sofferenza

Il testo usa figure potenti per descrivere le difficoltà del mondo: il serpente velenoso (verso 5), l’oceano in tempesta (verso 4) e la battaglia feroce (versi 6–7). In ogni caso, il semplice ricordo del Jina neutralizza istantaneamente il pericolo.

Uso liturgico e popolarità

Questo stotra è recitato quotidianamente da molti fedeli giainisti, specialmente durante il festival di Paryushana. È considerato un potente strumento di meditazione, protezione e purificazione spirituale.

Significato del titolo

Kalyāṇamandira significa “tempio di benedizioni”. Il titolo suggerisce che il poema stesso è un santuario in cui rifugiarsi, e che il Jina è il tempio vivente di ogni virtù e auspicio.

Altro da Jainismo

Vedi tutto