Bharat Devotion
Embroidered artwork for Kalyanamandira Stotra: Himno al Templo de la Auspiciosidad: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Kalyanamandira Stotra

Himno al Templo de la Auspiciosidad

Kalyanamandira Stotra

Himno al Templo de la Auspiciosidad

Este es un himno devocional jainista (stotra) que alaba al Jina (el ser iluminado) y exalta el poder de su nombre y de sus pies de loto. Se recita para obtener protección, paz mental y liberación del ciclo de nacimiento y muerte.

Versos

Kalyāṇamandirastotram Oṃ Namaḥ Siddhabhyaḥ
Kalyan Mandir Stotram Om Namah Siddhebhyah

Verso 1

Yatkāntichandramasi Mayyanamuydchitābhra- Vyāsaṅgamaṅgalaguṇeshu Yadutsavashrīḥ Tadbrahma Kiṃchidapi Kāchana Naḥ Pareshām Ābhāti Tattvamamalaṃ Prathamaṃ Yinendram
Yat Kanti Chandramasi Majjanam Ujjhitabhra Vyasanga Mangala Guneshu Yadutsavashrih Tad Brahma Kinchidapi Kachana Nah Paresham Abhati Tattvam Amalam Prathamam Jinendram

Verso 2

Saṃsāraghoragahane Charatāṃ Charāṇām Utpashyatāṃ Bhavamarutpathi Tāpatāpaiḥ Tvatpādapaṅkayarayaḥkaṇasañchayo'sau Bhūyādbhavavyasanabheshayamaṅgalānām
Samsara Ghora Gahane Charatam Charanam Utpashyatam Bhava Marutpathi Tapataapaih Tvat Paada Pankaja Rajah Kana Sanchayo'sau Bhooyad Bhava Vyasana Bheshajam Mangalanam

Verso 3

Bhaktāmarendraparicharchitapādapadma- Yugmaṃ Munīndramahitaṃ Prathitaprabhāvam Bhaktipravaṇemanasā Bhavatā Praṇītaṃ Vande Yinendramanishaṃ Bhavatāpashāntyai
Bhaktamarendra Paricharchita Paada Padma Yugmam Munindra Mahitam Prathita Prabhavam Bhakti Pravane Manasa Bhavata Praneetam Vande Jinendram Anisham Bhava Taapa Shantyai

Verso 4

Ambhonidhau Kshubhitachaṇḍataraṅgamālāva- Rte'pi Ghoramakareshu Bhayātureshu Tvannāmamantramanuchintayatāṃ Yanānām Ālambanaṃ Bhavati Tadbhavaduḥkhahāri
Ambhonidhau Kshubhita Chanda Tarangamaala Varte'pi Ghora Makareshu Bhayatureshu Tvat Naama Mantram Anuchintayatam Jananam Aalambanam Bhavati Tad Bhava Dukhahaari

Verso 5

Udgachhadunnatapaṇāsu Maṇikshareshu Vyālasya Ghoravishamagnadashāgatānām Tvannāma Kīrtayatu Kāñchanadivyaratna- Chhāyāchhaṭāprashamitaṃ Vishamugramāshu
Udgachhad Unnata Phanaasu Mani Kshareshu Vyaalasya Ghora Visha Magna Dashaagatanam Tvat Naam Keertayatu Kanchana Divya Ratna Chhaya Chhata Prashamitam Visham Ugram Aashu

Verso 6

Mayyadvipūlagayaghoraghaṭāvamardi- Saṅgrāmadhūmamadhivāsitasarvadikshu Tvatpādapadmayugalaṃ Manasā Smarāṇāṃ Sadyo Yayaḥ Samabhavadviyayī Yanānām
Majjad Vipula Gaja Ghora Ghataavamardi Sangrama Dhoomam Adhivaasita Sarva Dikshu Tvat Paada Padma Yugalam Manasa Smaranam Sadyo Jayah Samabhavad Vijayee Jananam

Verso 7

Unmattavāraṇagayendraturaṅgamāḍhya- Saṅgrāmabhūmishu Raṇeshu Parāyayantaḥ Tvatpādapadmayugalaṃ Manasā Smarāṇāṃ Shatrūnnihatya Suchiraṃ Viyayaṃ Labhante
Unmatta Vaarana Gajendra Turangamaadhya Sangrama Bhoomishu Raneshu Paraajayantah Tvat Paada Padma Yugalam Manasa Smaranam Shatroon Nihatya Suchiram Vijayam Labhante

Verso 8

Ānītagāḍhatimiraṃ Mahadandhakāraṃ Dagdhodareshu Bhuvi Dustaravahnikāle Tvannāma Kīrtanaratāḥ Purushā Labhante Nirvāṇashītalapadaṃ Padamaprameyam
Aaneeta Gaadha Timiram Mahad Andhakaram Dagdhodereshu Bhuvi Dustara Vahni Kaale Tvat Naam Keertan Ratah Purusha Labhante Nirvaana Sheetala Padam Padam Aprameyam

Verso 9

Uttaṃsabaddhāsurachandrakachūrṇakānti- Saṃsaktamañyumaṇipādavibhūshaṇānām Vandāruvṛndanamite Charaṇe Munīndrāḥ Stuvanti Te Guṇagaṇānbhuvi Muktihetoḥ
Uttamsa Baddha Asura Chandraka Choona Kanti Samsakta Manju Mani Paada Vibhooshananam Vandaaru Vrinda Namite Charane Munindrah Stuvanti Te Guna Ganan Bhuvi Mukti Hetoh

Verso 10

Tvatpādapadmayugale Namitāmarāṇāṃ Mauliprapullakamalodarasaṃsravadbhiḥ Bhṛṅgaiḥ Samaṃ Bhramaraiḥ Saha Gītakīrte Saṃsevyate Charaṇapaṅkayameva Nityam
Tvat Paada Padma Yugale Namitamaranam Mauli Praphulla Kamalodara Samsravadbhih Bhringaih Samam Bhramarih Saha Geeta Keerte Samsevyate Charana Pankajam Eva Nityam

Verso 11

Kiṃ Mandamandacharaṇaiḥ Kṛtasārathitvaṃ Bhṛṅgāvalīpravilasanmaṇihārashobhi Tvatpādāravindayugalaṃ Manasā Smarāṇāṃ Saṃsāravāridhimalaṃ Taranti Santaḥ
Kim Manda Manda Charanaih Krita Saarithitvam Bhringaavali Pravilasan Mani Haara Shobhi Tvat Paadaaravinda Yugalam Manasa Smaranam Samsaara Vaaridhim Alam Taranti Santah

Verso 12

Tvatpādapadmayugalaṃ Namatāṃ Narāṇāṃ Kiṃ Durlabhaṃ Bhavatu Maṅgalakoṭisaṅghaiḥ Yasya Smaraṇamātreṇa Sakalāni Duḥkhāni Nashyanti Yanmamaraṇādikaduḥkhayātāḥ
Tvat Paada Padma Yugalam Namatam Naranam Kim Durlabham Bhavatu Mangala Koti Sanghaih Yasya Smarana Maatrena Sakalani Dukhani Nashyanti Janma Maranaadika Dukha Jaatah

Verso 13

Tvatpādapadmayugalaṃ Paribhramantaṃ Bhṛṅgaṃ Samālapatu Kiṃ Nanu Deva Tasyāḥ Kiṃ Vā Na Gachhati Divaṃ Bhuvi Muktimārge Samprāpya Chāmaramarunmarutāmdhināthaḥ
Tvat Paada Padma Yugalam Paribhramantam Bhringam Samaalapatu Kim Nanu Deva Tasyah Kim Va Na Gachhati Divam Bhuvi Mukti Maarge Sampraapya Chaamara Marun Marutaam Dhinaathah

Verso 14

Kiṃ Mandamandagamanena Na Kiṃ Nu Deva Tvatpādāravindayugalaṃ Hṛdi Saṃdadhānām Sadyaḥ Pralīyata Iyaṃ Bhuvi Pāparāshira- Bdhau Yathā Yaladharā Yalamaṅgalānām
Kim Manda Manda Gamanena Na Kim Nu Deva Tvat Paadaaravinda Yugalam Hridi Samdadhanam Sadyah Praleeyata Iyam Bhuvi Paapa Raashir Abdhau Yatha Jaladhara Jala Mangalanam

Verso 15

Kiṃ Kiñchidapyapi Cha Karmamalaṃ Yanānāṃ Saṃsārabandhanakaraṃ Na Hi Yasya Nāma Gāyanti Te Guṇagaṇānmunayo Bhavāntaṃ Te Prāpnuvanti Paramaṃ Padamaprameyam
Kim Kinchid Apyapi Cha Karma Malam Jananam Samsaara Bandhana Karam Na Hi Yasya Naam Gaayanti Te Guna Ganan Munayo Bhavantam Te Praapnuvanti Paramam Padam Aprameyam

Verso 16

Kiṃ Kiñchidapyapi Cha Yanmayarābhayaghnaṃ Tvannāma Mantramanishaṃ Manasā Smarāṇām Sadyaḥ Pranashyati Surāsurapūyitasya Saṃsāraduḥkhamakhilaṃ Bhavatāpashāntyai
Kim Kinchid Apyapi Cha Janma Jara Bhayaghnam Tvat Naam Mantram Anisham Manasa Smaranam Sadyah Pranashyati Suraasura Poojitasya Samsaara Dukham Akhilam Bhava Taapa Shantyai

Verso 17

Udgīrṇavahnikaṇadagdhavanaprānte Saṃsāraghoragahane Charatāṃ Charāṇām Tvannāma Kīrtanaratāḥ Purushā Labhante Nirvāṇashītalapadaṃ Padamaprameyam
Udgeerna Vahni Kana Dagdha Vana Praante Samsaara Ghora Gahane Charatam Charanam Tvat Naam Keertan Ratah Purusha Labhante Nirvaana Sheetala Padam Padam Aprameyam

Verso 18

Shakrendravaidyutasurendrasunīlakānti- Saṃsaktamañyumaṇipādavibhūshaṇānām Vandāruvṛndanamite Charaṇe Munīndrāḥ Stuvanti Te Guṇagaṇānbhuvi Muktihetoḥ
Shakrendra Vaidyuta Surendra Suneela Kanti Samsakta Manju Mani Paada Vibhooshananam Vandaaru Vrinda Namite Charane Munindrah Stuvanti Te Guna Ganan Bhuvi Mukti Hetoh

Verso 19

Kiṃ Tena Yanmapalamabdhinivāsināṃ Cha Yaiḥ Prāptamambudhiyalaṃ Cha Suvarṇaratnam Ye Tvatpadaikarasitā Bhuvi Muktibhāyo Gāyanti Te Guṇagaṇānbhuvi Muktihetoḥ
Kim Tena Janma Phalam Abdhi Nivaasinam Cha Yaih Praaptam Ambhudhi Jalam Cha Suvarna Ratnam Ye Tvat Padaika Rasita Bhuvi Mukti Bhaajo Gaayanti Te Guna Ganan Bhuvi Mukti Hetoh

Verso 20

Kiṃ Tena Yanmapalamaṅgalakoṭisaṅghaiḥ Saṃsārabandhanakaraṃ Na Hi Yasya Nāma Gāyanti Te Guṇagaṇānmunayo Bhavāntaṃ Te Prāpnuvanti Paramaṃ Padamaprameyam
Kim Tena Janma Phalam Mangala Koti Sanghaih Samsaara Bandhana Karam Na Hi Yasya Naam Gaayanti Te Guna Ganan Munayo Bhavantam Te Praapnuvanti Paramam Padam Aprameyam

Verso 21

Kiṃ Tasya Pāpakalanaṃ Vimalasya Tasya Saṃsāraghoragahane Charatāṃ Charāṇām Tvannāma Kīrtanaratāḥ Purushā Labhante Nirvāṇashītalapadaṃ Padamaprameyam
Kim Tasya Paapa Kalanam Vimalasya Tasya Samsaara Ghora Gahane Charatam Charanam Tvat Naam Keertan Ratah Purusha Labhante Nirvaana Sheetala Padam Padam Aprameyam

Verso 22

Kiṃ Tasya Maṅgalashataiḥ Shamitaiḥ Samastā- Nārādhitāmaragaṇaishcha Kṛtaiḥ Prasādaiḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Mangala Shataih Shamitaih Samasta Naaraadhitaamara Ganaishcha Kritaih Prasadaikh Yasya Sthita Tava Katha Hridi Mangalanam Samsaara Taaranamayee Bhava Taapa Shantyai

Verso 23

Kiṃ Tasya Yanmasapalaṃ Bhuvi Mānavānāṃ Yeshāṃ Na Paṅkayayugaṃ Tava Mandamandam Bhṛṅgāvalīpravilasanmaṇihārashobhi Chetasyalaṃ Vilasati Pravilīnamoham
Kim Tasya Janma Saphalam Bhuvi Manavanam Yesham Na Pankaja Yugam Tava Manda Mandam Bhringaavali Pravilasan Mani Haara Shobhi Chetasyalam Vilasati Pravileena Moham

Verso 24

Kiṃ Tena Dānamakhilaṃ Yagatāṃ Kṛtaṃ Syāt Kiṃ Vā Tapo Niyamasaṃyamapañchatāpi Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tena Daanam Akhilam Jagatam Kritam Syaat Kim Va Tapo Niyama Samyama Panchataapi Yasya Sthita Tava Katha Hridi Mangalanam Samsaara Taaranamayee Bhava Taapa Shantyai

Verso 25

Kiṃ Tasya Tīrthamupasevitamaprameyaiḥ Kiṃ Vā Kṛtaṃ Tadadhunā Bhuvi Bhūtanāthaiḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Teertham Upasevitam Aprameyaih Kim Vaa Kritam Tad Adhuna Bhuvi Bhootnaathaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 26

Kiṃ Tasya Mantrayapakoṭishataiḥ Kṛtaishcha Kiṃ Vā Kṛtaṃ Tapasi Dushkarakoṭibhirvā Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Mantra Jap Koti Shataih Kritaish Cha Kim Vaa Kritam Tapasi Dushkar Kotibhir Vaa Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 27

Kiṃ Tasya Dānamayayayñasutaptatapobhiḥ Kiṃ Tīrthasevanashataishcha Kṛtaiḥ Samastāḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Daan May Yagya Sutapt Tapobhih Kim Teerth Sevan Shataish Cha Kritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 28

Kiṃ Tasya Mandamatibhiḥ Kṛtamatra Loke Kiṃ Vā Kṛtaṃ Sucharitaiḥ Sukṛtaiḥ Samastāḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Manda Matibhih Kritam Atra Loke Kim Vaa Kritam Sucharitaih Sukritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 29

Kiṃ Tasya Maṅgalashataiḥ Shamitaiḥ Samastā- Nārādhitāmaragaṇaishcha Kṛtaiḥ Prasādaiḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Mangal Shataih Shamitaih Samastaa Naaraadhitaamar Ganash Cha Kritaih Prasaadaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 30

Kiṃ Tasya Yanmasupalaṃ Bhuvi Mānavānāṃ Yeshāṃ Na Paṅkayayugaṃ Tava Mandamandam Bhṛṅgāvalīpravilasanmaṇihārashobhi Chetasyalaṃ Vilasati Pravilīnamoham
Kim Tasya Janma Suphalam Bhuvi Maanvaanaam Yeshaam Na Pankaj Yugam Tav Manda Mandam Bhringaavali Pravilasan Mani Haar Shobhi Chetasya Lam Vilasati Pravileen Moham

Verso 31

Kiṃ Tena Dānamakhilaṃ Yagatāṃ Kṛtaṃ Syāt Kiṃ Vā Tapo Niyamasaṃyamapañchatāpi Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tena Daanam Akhilam Jagataam Kritam Syaat Kim Vaa Tapo Niyam Sanyam Panchataapi Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 32

Kiṃ Tasya Tīrthamupasevitamaprameyaiḥ Kiṃ Vā Kṛtaṃ Tadadhunā Bhuvi Bhūtanāthaiḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Teertham Upasevitam Aprameyaih Kim Vaa Kritam Tad Adhuna Bhuvi Bhootnaathaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 33

Kiṃ Tasya Mantrayapakoṭishataiḥ Kṛtaishcha Kiṃ Vā Kṛtaṃ Tapasi Dushkarakoṭibhirvā Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Mantra Jap Koti Shataih Kritaish Cha Kim Vaa Kritam Tapasi Dushkar Kotibhir Vaa Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 34

Kiṃ Tasya Dānamayayayñasutaptatapobhiḥ Kiṃ Tīrthasevanashataishcha Kṛtaiḥ Samastāḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Daan May Yagya Sutapt Tapobhih Kim Teerth Sevan Shataish Cha Kritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 35

Kiṃ Tasya Mandamatibhiḥ Kṛtamatra Loke Kiṃ Vā Kṛtaṃ Sucharitaiḥ Sukṛtaiḥ Samastāḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Manda Matibhih Kritam Atra Loke Kim Vaa Kritam Sucharitaih Sukritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 36

Kiṃ Tasya Maṅgalashataiḥ Shamitaiḥ Samastā- Nārādhitāmaragaṇaishcha Kṛtaiḥ Prasādaiḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Mangal Shataih Shamitaih Samastaa Naaraadhitaamar Ganash Cha Kritaih Prasaadaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 37

Kiṃ Tasya Yanmasupalaṃ Bhuvi Mānavānāṃ Yeshāṃ Na Paṅkayayugaṃ Tava Mandamandam Bhṛṅgāvalīpravilasanmaṇihārashobhi Chetasyalaṃ Vilasati Pravilīnamoham
Kim Tasya Janma Suphalam Bhuvi Maanvaanaam Yeshaam Na Pankaj Yugam Tav Manda Mandam Bhringaavali Pravilasan Mani Haar Shobhi Chetasya Lam Vilasati Pravileen Moham

Verso 38

Kiṃ Tena Dānamakhilaṃ Yagatāṃ Kṛtaṃ Syāt Kiṃ Vā Tapo Niyamasaṃyamapañchatāpi Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tena Daanam Akhilam Jagataam Kritam Syaat Kim Vaa Tapo Niyam Sanyam Panchataapi Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 39

Kiṃ Tasya Tīrthamupasevitamaprameyaiḥ Kiṃ Vā Kṛtaṃ Tadadhunā Bhuvi Bhūtanāthaiḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Teertham Upasevitam Aprameyaih Kim Vaa Kritam Tad Adhuna Bhuvi Bhootnaathaih Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 40

Kiṃ Tasya Mantrayapakoṭishataiḥ Kṛtaishcha Kiṃ Vā Kṛtaṃ Tapasi Dushkarakoṭibhirvā Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Mantra Jap Koti Shataih Kritaish Cha Kim Vaa Kritam Tapasi Dushkar Kotibhir Vaa Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 41

Kiṃ Tasya Dānamayayayñasutaptatapobhiḥ Kiṃ Tīrthasevanashataishcha Kṛtaiḥ Samastāḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Daan May Yagya Sutapt Tapobhih Kim Teerth Sevan Shataish Cha Kritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 42

Kiṃ Tasya Mandamatibhiḥ Kṛtamatra Loke Kiṃ Vā Kṛtaṃ Sucharitaiḥ Sukṛtaiḥ Samastāḥ Yasya Sthitā Tava Kathā Hṛdi Maṅgalānāṃ Saṃsāratāraṇamayī Bhavatāpashāntyai
Kim Tasya Manda Matibhih Kritam Atra Loke Kim Vaa Kritam Sucharitaih Sukritaih Samastaah Yasya Sthita Tav Katha Hridi Mangalaanaam Sansaar Taaran Mayi Bhav Taap Shaantyai

Verso 43

Iti Shrīsiddhasenadivākarasūrivirachitaṃ Kalyāṇamandirastotraṃ Sampūrṇam
Iti Shri Siddhasen Divaakar Soori Virachitam Kalyaan Mandir Stotram Sampoornam

Verso 44

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

A diario o en días sagrados lunares (Ekadashi, Purnima)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) o atardecer

Sacred Offerings

Lámpara de ghee, incienso, flores frescas y ofrenda de agua

Spiritual Benefits (Phalashruti)
  • Paz mental, elevación espiritual y armonía en el hogar

Contexto

Este himno en sánscrito, tradicionalmente atribuido al monje y erudito jainista Siddhasena Divākara (alrededor del siglo V d.C.), es una de las composiciones devocionales más queridas del jainismo. Pertenece a la tradición Śvetāmbara y suele recitarse por la mañana o durante la meditación, ya que se cree que invoca la protección del Jina (el ser iluminado) y disipa las aflicciones mentales y espirituales. Se entona en templos y hogares jainistas, a menudo como parte de la práctica diaria de oración para pedir paz, claridad y liberación.

Sobre este Texto

Compuesto por: Acharya Kumudachandra

¿Sabías que...?

Autor y contexto

Este himno fue compuesto por Siddhasena Divakarasuri, un influyente erudito jainista del siglo V d.C. Es conocido por su maestría en sánscrito y prácrito, y por haber sistematizado la lógica jainista. El Kalyanamandirastotra es una de sus obras devocionales más famosas, recitada especialmente en la tradición yaina Śvetāmbara.

Estructura y métrica

El poema tiene 43 versos en sánscrito, compuestos en un metro llamado Vasantatilaka (14 sílabas por línea). Cada verso alaba al Jina (el ser iluminado) y el poder de su nombre o de sus pies de loto. A partir del verso 12, la mayoría de los versos comienzan con la palabra interrogativa kiṃ (

,

“¿de qué sirve...?”), creando un patrón retórico que contrasta las prácticas religiosas ordinarias con la devoción al Jina.

Tema central

El estotra proclama que la simple contemplación del nombre o de los pies del Jina puede proteger de todos los peligros del mundo: el ciclo de reencarnaciones (saṃsāra), el veneno de serpientes, el fuego, las batallas, la oscuridad y la muerte. Se presenta como un refugio infalible y una medicina para el sufrimiento.

Enfoque devocional

Aunque el jainismo suele enfatizar el ascetismo y el conocimiento, este himno es un ejemplo clásico de bhakti (devoción) yaina. La repetición de frases como “tus pies de loto” y “tu nombre” muestra una entrega personal al Jina como fuente de salvación, más allá de los rituales externos.

Refranes y repetición

A partir del verso 22, una serie de versos (del 22 al 42) repiten un estribillo casi idéntico: “sólo aquel que tiene tu historia en el corazón…” Este recurso literario, llamado āvṛtti (repetición), refuerza la idea de que la devoción interior es más valiosa que cualquier don, penitencia o peregrinación. Es una técnica poderosa para grabar el mensaje en la mente del oyente.

Más de Jainismo

Ver todo