Bharat Devotion
Embroidered artwork for Siddhachal Shikhare Divo Re: Aadeshwar Albelo: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

Siddhachal Shikhare Divo Re

Aadeshwar Albelo

Siddhachal Shikhare Divo Re

Aadeshwar Albelo

A Gujarati Jain stavan in praise of Lord Aadeshwar (Rishabhanatha) on the Siddhachal hill, from the Navvanu Prakari Puja of Pandit Veervijayji.

Verses

Siddhachal Shikhare Deevo Re, Adeshwar Albelo Re, Jaane Darshan Amrit Peevo Re, Adeshwar Albelo Re. Albelo Albelo Albelo Re, Adeshwar Albelo Re.

Verse 1

Ravi Somayasha Ni Laare Re.. Adeshwar.. Ter Kodi Muni Parivaare Re.. Adeshwar..

Verse 2

Kare Shivsundareenun Aaniun Re.. Adeshwar.. Naaradji Laakh Ekaanun Re.. Adeshwar..

Verse 3

Vasudevni Naari Prasiddhi Re.. Adeshwar.. Paantrees Hajaar Te Siddhi Re.. Adeshwar..

Verse 4

Laakh Baavanne Ek Kodi Re.. Adeshwar.. Panchaavan Saahasne Jodi Re.. Adeshwar..

Verse 5

Saatmen Satyoter Saadhu Re.. Adeshwar.. Chaud Sahasmuni Damitaari Re.. Adeshwar..

Verse 6

Tav E Variya Shivnaari Re.. Adeshwar.. Chaud Sahasmuni Damitaari Re.. Adeshwar..

Verse 7

Pradyumnapriya Achambhi Re.. Adeshwar.. Chauaalismen Vaidarbhi Re.. Adeshwar..

Verse 8

Thaavachcha Putra Hajaare Re.. Adeshwar.. Shukra Parivraajak E Dhaare Re.. Adeshwar..

Verse 9

Selag Pansay Vikhyaat Re.. Adeshwar.. Subhadra Muni Sam Saate Re.. Adeshwar..

Verse 10

Bhavtariya Tene Bhavtaaran Re.. Adeshwar.. Gajchandramahoday Kaaran Re.. Adeshwar..

Verse 11

Surkaant Achal Abhinando Re.. Adeshwar.. Sumati Shreshtha Bhay Kando Re.. Adeshwar..

Verse 12

Ihaan Moksh Gaya Kei Koti Re.. Adeshwar.. Amane Pan Aasha Moti Re.. Adeshwar..

Verse 13

Shraddha Samvege Bhariyo Re.. Adeshwar.. Main Moto Dariyo Tariyo Re.. Adeshwar..

Verse 14

Shraddha Vin Kun Ihaan Aave Re.. Adeshwar.. Laghu Jalmaan Kem Tenaare.. Adeshwar..

Verse 15

Tine Haath Have Prabhu Zalo Re.. Adeshwar.. Shubhveerne Haide Vahaalo Re.. Adeshwar..

Verse 16

Siddhachal.. Vimlachal.. Shetrunjay.. Shikhare Deevo Re, Adeshwar Albelo Re Jaane Darshan Amrit Peevo Re.. Adeshwar.. Albelo Albelo Albelo Re, Adeshwar Albelo Re…

Verse 17

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

Background

This stavan is sung in honor of Lord Aadeshwar, the first Tirthankara, also known as Adinatha or Rishabhanatha. Jain tradition tells his life in the Kalpa Sutra and the Adipurana. The song is a dhal from the ninth puja of the Navvanu Prakari Puja, the ninety-nine-fold worship of the Shatrunjaya hill composed by Pandit Veervijayji, who signs himself Shubhaveer, and it appears for example in Shri Vividh Puja Sangraha, part 1 (1903). Siddhachal, Vimalachal and Shatrunjaya are names of the same sacred hill at Palitana in Gujarat, and pilgrims sing the stavan on their way up. Its refrain compares the sight of the Lord to drinking nectar.

About this Text

Composed by: Pandit Veervijayji

Did You Know?

Aadeshwar, the first Tirthankara

'Aadeshwar' is a revered name of Adinatha, also called Rishabhanatha, the first of the 24 Tirthankaras of Jainism. 'Albelo' in Gujarati means charming and matchless, painting the enlightened master as a beloved, approachable presence.

One hill, many names

The closing line (Verse 17) names Siddhachal, Vimalachal and Shatrunjaya. These are three names of one hill at Palitana, where countless souls are believed to have attained liberation and which holds hundreds of temples.

The numbers in the song

The stanzas count the ascetics said to have attained liberation on this hill, such as thirteen crore (130 million) munis with their company (Verse 2), Narada with ninety-one lakh (Verse 3), thirty-five thousand (Verse 4), one crore fifty-two lakh and fifty-five thousand (Verse 5). These are traditional counts of devotion, not a census.

Familiar names, Jain setting

Verses 3 to 10 mention Narada, the wives of Vasudeva, the wife of Pradyumna, Thavachchaputra, Shuka and Shailaka. Jain narratives such as the Jnatadharmakatha and the Antakriddasha tell of them as seekers who attained liberation, and the stavan gathers them as witnesses to the hill's power.

Signature and purpose

Verse 16 closes with the poet's name Shubhaveer, who asks the Lord to hold his hand. Verses 13 to 15 ask for faith and renunciation, so that the devotee may cross the ocean of existence.