Bharat Devotion
Embroidered artwork for Singular Devotion: The Savyas of Sri Bhagavan: Embroidered Khanda emblem with a saffron Nishan Sahib flag and marigolds at sunrise

Singular Devotion

The Savyas of Sri Bhagavan

Singular Devotion

The Savyas of Sri Bhagavan

Ten savaiye from the Dasam Granth, attributed to Guru Gobind Singh, teaching that ritual, power and austerity mean little without loving devotion to God.

Verses

Ik Oankar Satgur Prasad || Patshahi 10 || Tav Prasad || Savaiye ||

Verse 1

Shravag Sudh Samooh Sidhan Ke Dekh Phirio Ghar Jog Jati Ke || Soor Surardan Sudh Sudhadik Sant Samooh Anek Mati Ke || Saare Hi Des Ko Dekh Rahio Mat Ko-oo Na Dekhiat Pranpati Ke || Shri Bhagwan Ki Bhaaye Kripa Hu Te Ek Rati Bin Ek Rati Ke ||1||21||

Verse 2

Maate Matang Jare Jar Sang Anoop Utang Surang Sawaare || Kot Turang Kurang Se Koodat Paun Ke Gaun Ko Jaat Nivaare || Bhaari Bhujaan Ke Bhoop Bhali Bidh Nyaavat Sees Na Jaat Bichaare || Ete Bhaye Tu Kahaa Bhaye Bhoopat Ant Ko Naange Hi Paaye Padhare ||2||22||

Verse 3

Jeet Phirai Sabh Des Disan Ko Baajat Dhol Mridang Nagaare || Gunjat Goodh Gajaan Ke Sundar Hinst Hain Hayraaj Hajaare || Bhoot Bhavikh Bhavaan Ke Bhoopat Kaun Ganai Nahi Jaat Bichaare || Shri Pat Shri Bhagwan Bhaje Bin Ant Kau Ant Ke Dhaam Sidhaare ||3||23||

Verse 4

Teerath Snaan Daya Dam Daan Su Sanjam Nem Anek Bisekhe || Bed Puraan Kateb Kuraan Jameen Jamaan Sabaan Ke Pekhe || Paun Ahaar Jati Jat Dhaar Sabai Su Bichaar Hajaar Ka Dekhe || Shri Bhagwan Bhaje Bin Bhoopat Ek Rati Bin Ek Na Lekhe ||4||24||

Verse 5

Sudh Sipaah Durant Dubaah Su Saaj Sanaah Durjaan Dalainge || Bhaari Gumaan Bhare Man Main Kar Parbat Pankh Hale Na Halainge || Tor Areen Maror Mawaasan Maate Matangan Maan Malainge || Shri Pat Shri Bhagwan Kripa Bin Tyaag Jahaan Nidaan Chalainge ||5||25||

Verse 6

Beer Apaar Bade Baryaar Abichaareh Saar Ki Dhaar Bhachhaya || Torat Des Malind Mawaasan Maate Gajaan Ke Maan Malaya || Gaadhe Gadhaan Ko Todanhaar Su Baatan Heen Chak Chaar Lavaya || Saahib Shri Sabh Ko Sirnaayak Jaachak Anek Su Ek Divaya ||6||28||

Verse 7

Daanav Dev Fanind Nisaachar Bhoot Bhavikh Bhavaan Japainge || Jeev Jite Jal Mai Thal Mai Pal Hi Pal Mai Sabh Thaap Thapainge || Punn Partaapan Baadh Jait Dhun Paapan Ke Bahu Punj Khapainge || Saadh Samooh Prasann Phirai Jag Satra Sabhai Avalok Chapainge ||7||27||

Verse 8

Maanav Indra Gajindra Naraadhap Jaun Trilok Ko Raaj Karainge || Kot Isnaan Gajaadik Daan Anek Suambar Saaj Barainge || Brahm Mahesar Bisan Sacheepat Ant Fase Jam Faas Parainge || Je Nar Shri Pat Ke Pras Hain Pag Te Nar Pher Na Deh Dharainge ||8||28||

Verse 9

Kahaa Bhayo Jo Do-oo Lochan Moond Kai Baith Rahio Bak Dhyaan Lagaayo || Nhaat Phirio Leeye Saat Samudran Lok Gayo Parlok Gawaayo || Baas Keeyo Bikhyaan So Baith Kai Aise Hi Aise Su Bais Bitaayo || Saach Kaho Sun Leho Sabhai Jin Prem Keeyo Tin Hi Prabh Paayo ||9||29||

Verse 10

Kaahu Lai Paahan Pooj Dharyo Sir Kaahu Lai Ling Gare Latkaayo || Kaahu Lakhio Har Avaachi Disaa Meh Kaahu Pachhaah Ko Sees Nivaayo || Ko-oo Butaan Ko Poojat Hai Pasu Ko-oo Mritaan Ko Poojan Dhaayo || Koor Kriyaa Urajhio Sabh Hi Jag Shri Bhagwan Ko Bhed Na Paayo ||10||30||

Verse 11

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Background

These ten stanzas open with the heading 'Tav Prasad Savaiye' ('by Your grace') and the line 'Patshahi 10', marking them as the words of the tenth Guru, Guru Gobind Singh. They are found in the Dasam Granth, where they are numbered 21 to 30 in the sequence of the Akal Ustat (the 'Praise of the Timeless One'). They are not set to a raag but are composed in the savaiya (savaiye) metre. Sikhs recite them every morning in Nitnem after Jaap Sahib, and they are also recited at the Amrit Sanchar initiation. The poem draws on the wider teaching of Guru Nanak and the Sikh Gurus that only sincere union with the Divine, not fixed steps or empty ritual, opens the door to liberation.

About this Text

Composed by: Guru Gobind Singh Ji · Sikh Guru (Tenth of the Ten) · 1666–1708 CE, Punjab & beyond

The tenth and last human Sikh Guru, who founded the Khalsa order in 1699 and composed hymns of valor and devotion including the Jaap Sahib and Chaupai Sahib, later compiled in the Dasam Granth. Before his passing, he declared the Guru Granth Sahib to be the eternal Guru of the Sikhs.

Did You Know?

Author & Context

These verses are from the Savaiye (a type of stanza) attributed to Guru Gobind Singh (1666-1708), the tenth Sikh Guru. They are part of the Akal Ustat in the Dasam Granth, a collection of writings associated with the Guru, and are among the compositions recited in daily Nitnem. They are known for their sharp critique of external religious practices and worldly power, emphasizing inner devotion to God.

A Recurring Refrain

Stanzas end with a similar punchline: without devotion to the Supreme Being (referred to here as Sri Bhagwan or Sri Pati), all worldly achievements, whether wealth, armies, rituals, or asceticism, are worthless. The first stanza (1/21) closes with 'eka rati binu eka rati ke' ('without even a grain of devotion') to drive home that only love for God has true value.

Critique of External Rituals

Stanza 10 (10/30) gives a vivid catalogue of misguided religious practices: some worship stones, some wear a lingam (a symbol of Shiva) around the neck, others face east or west, bow to idols, or worship the dead. The Guru declares that none of these reveal the true mystery of God; only heartfelt love (prem) can lead to the Divine.

The Futility of Royal Power

Stanza 2 (2/22) describes kings with vast armies, elephants, horses and treasures, but notes that at death they all depart barefoot. Stanza 3 (3/23) warns that even the mightiest, without devotion to the Lord of Lakshmi (Sri Pati), reach the final abode with nothing.

A Direct Call to Love

Stanza 9 (9/29) explicitly rejects blind meditation ('closing both eyes' and sitting like a crane), bathing in the 'seven oceans,' or dwelling among worldly attachments. The final line, 'those who have loved, they have found God,' is a clear, universal invitation to shift from external form to inner devotion.

Poetic Form and Language

The savaiya is a long four-line stanza form of medieval Hindi poetry, here in a Braj Bhasha idiom mixed with Sanskrit words and some Persian-Arabic terms. The lines are dense with imagery of war, nature, and ritual, making the critique both vivid and accessible.