The Kalyanamandira Stotra
Hymn to the Jina
The 44-verse Kalyanamandira Stotra praises Lord Parshvanatha, traditionally credited to Kumudachandra, also known as Siddhasena Divakara.
Verses
I bow to the Lord Jina, whose lotus feet are a temple of auspiciousness, sublime, destroying all defects, granting fearlessness to the frightened, and utterly blameless—a ship for all beings drowning in the ocean of worldly existence.
Verse 1
Even the lord of the gods, whose intellect is vast, is unable to compose a hymn worthy of the ocean of majesty that is the Lord of Tirthas, the destroyer of the pride of the demon Kamatha—yet I, insignificant as I am, dare to attempt his praise.
Verse 2
O Lord, how can beings like me, who are not masters of themselves, even describe your nature in a general way? If a blind owl or a child tries to depict the form of the sun, what can it possibly achieve?
Verse 3
O Lord, even a mortal who experiences your virtues due to the destruction of delusion is certainly unable to count them fully. For who can measure the heap of jewels in the ocean, even when the waters of a cosmic dissolution are clearly visible?
Verse 4
O Lord, though my mind is dull, I am striving to compose a hymn for you, the abode of countless radiant virtues. Does not a child, stretching out his arms, try to measure the vastness of the ocean of his own intellect?
Verse 5
O Lord, how can I have any scope to speak of those virtues of yours that even yogis cannot fully grasp? Thus this undertaking of mine is ill-considered—yet even birds chirp in their own language, do they not?
Verse 6
O Jina, let alone your inconceivable majesty—even your mere name protects the worlds from the cycle of existence. In the heat of summer, even a gentle breeze from a lotus pond refreshes travelers afflicted by the scorching sun.
Verse 7
O Lord, when you are present, even the dense bonds of karma quickly become slack for a being—just as the middle part of a sandalwood tree, when a peacock approaches, is instantly freed from the grip of the serpent that had entwined it.
Verse 8
O Jina, even when you are merely glanced upon, men are suddenly freed from hundreds of afflictions caused by fierce beings—just as cattle, when the master with his blazing splendor is seen, are quickly released by fleeing thieves.
Verse 9
O Jina, you are the savior of those beings who, while crossing the ocean of existence, carry you in their hearts. Or rather, it is the power of the wind inside the raft that makes it cross the water—so too, it is your grace that enables them.
Verse 10
O Lord, even the god of love, whose power subdued even Shiva and others, was destroyed by you in an instant. What then of the fire that was extinguished by water? Could that water not be drunk by the insatiable submarine fire?
Verse 11
O Master, how is it that beings who hold you in their hearts—you who are of immense majesty—cross the ocean of birth with such ease? Indeed, the power of the great is not to be questioned.
Verse 12
O Lord, if anger is first destroyed by you, then tell me, how can the thieves of karma remain? If even cold snow can burn blue trees in the forest, then what is impossible?
Verse 13
O Jina, yogis always seek you, the form of the Supreme Self, in the lotus-chamber of the heart. For what else is the seat of the pure, radiant soul but the pericarp of the lotus?
Verse 14
O Lord Jina, by meditating on you, beings in the cycle of existence abandon their bodies in an instant and attain the state of the Supreme Self—just as base metals, by the power of intense fire, shed their ore-nature and quickly become gold.
Verse 15
O Jina, if you are always contemplated within by the spiritually fortunate, how can you not destroy their body? Indeed, great souls who abide in the middle state pacify the body—such is your nature.
Verse 16
O Lord Jina, the wise meditate on the self with the awareness of its non-difference from you—such is your power. Even water, when contemplated as nectar, does it not remove the effects of poison?
Verse 17
O Lord, even opponents, free from darkness, surely approach you with the conception of you as Hari, Hara, and others. Is not a white conch shell mistaken for various colors by those with jaundiced eyes?
Verse 18
O Lord, at the time of your sermon, due to your presence, not only people but even the Ashoka tree becomes free from sorrow. When the sun rises, does not the whole world of living beings awaken?
Verse 19
O Lord, it is wonderful that a shower of celestial flowers falls everywhere, even though the flower-stalks are turned downward. Or, O Lord of sages, perhaps the bonds of the flowers naturally go downward.
Verse 20
It is fitting that your words are called nectar, born from the deep ocean of your heart. For having drunk them, the spiritually fortunate, filled with supreme bliss, quickly attain agelessness and immortality.
Verse 21
O Master, the pure celestial whisks, bowing low and then rising high, seem to declare: "Those who bow to this foremost sage are indeed of pure heart and destined for upward motion."
Verse 22
O Lord, you are dark-hued, with deep speech, seated on a radiant golden jeweled throne—the peacocks of the spiritually fortunate behold you with eagerness, as you thunder loudly, like a fresh rain cloud atop a golden mountain.
Verse 23
O passionless Lord, by the rising of your dark-hued halo, the Ashoka tree lost its own color. Indeed, who, even among the conscious, does not become passionless in your presence?
Verse 24
O Lord, your celestial drum, thundering in the sky, seems to announce to the three worlds: "Abandon heedlessness! Come, take refuge in this guide who leads to the city of liberation!"
Verse 25
O Lord, when the worlds were illumined by you, the moon with its stars lost its authority. Surely, it assumed a threefold form—as a white umbrella adorned with a pearl necklace—to serve you.
Verse 26
O Lord, you shine all around with three halls—made of ruby, gold, and silver—as if they are the collected mass of your splendor, majesty, and fame, filling the three worlds.
Verse 27
O Jina, the divine garlands of the lords of the gods, abandoning even their jeweled crowns, resort to your feet. Or perhaps, in your presence, the flowers find no delight elsewhere.
Verse 28
O Lord, though you are turned away from the ocean of birth, you still rescue the wise who cling to your back. It is fitting that you, like a king, are free from the results of karma—yet it is wondrous that you are devoid of karmic fruition.
Verse 29
O protector of beings, though you are the lord of the universe, you are beyond reach; though you are the essence of syllables, you are beyond script. O Lord, even in ignorance, knowledge shines in you somehow, as the cause of the universe's unfolding.
Verse 30
O Lord, the dust heaps that the wicked demon Kamatha angrily raised, filling the skies—even your shadow was not harmed by them. That wretched one only destroyed himself.
Verse 31
O Jina, the terrible, unbearable flood released by the demon—with roaring, mighty clouds, terrifying lightning, and heavy, dreadful torrents—was held by you. And that very flood became his own unbearable punishment.
Verse 32
The host of ghosts—with disheveled hair, deformed faces, hanging corpses, and fire issuing from their fearful mouths—that was sent against you, became for that demon the cause of suffering in every rebirth.
Verse 33
O Lord of the world, blessed are those beings who, abandoning all other duties, worship your two feet thrice daily with devotion, their bodies covered with horripilation and soft down—they are truly fortunate in this birth.
Verse 34
O Lord of sages, in this boundless ocean of existence, I think I have not yet come within the range of your hearing. But if I have heard your holy, purifying name, what venomous serpent of misfortune can approach me?
Verse 35
O Lord, I think I have not honored your pair of feet even in a previous birth—feet that are capable of granting all desires. Therefore, in this life, I have become a dwelling place for defeats, my mind crushed by afflictions.
Verse 36
Surely, with eyes covered by the darkness of delusion, I have never once beheld you before. Otherwise, how could these relentless misfortunes, piercing my very soul, torment me so?
Verse 37
O Lord, though I have heard of you, honored you, and even seen you, I have surely not held you in my heart with devotion. Therefore, O friend of beings, I have become a vessel of suffering—for actions devoid of feeling bear no fruit.
Verse 38
O Lord! O lover of the afflicted! O refuge! O abode of compassion and merit! O best among the self-controlled! Show mercy to me, who am bowed in devotion, and be intent on crushing my sorrows.
Verse 39
Having reached the refuge that is the lotus of your feet—a refuge devoid of all other support, a shelter that has subdued the enemy and is famed for its grace—I am barren of contemplation, O purifier of the world. Alas, I am undone!
Verse 40
O Lord worshipped by the king of gods, O knower of the essence of all things, O savior from the cycle of existence, O master of the world! Save me, O Lord, O ocean of compassion! Purify me, who am sinking today in the fearful ocean of calamities.
Verse 41
O Lord! If there is any fruit of the devotion constantly accumulated for your lotus feet, then, O refuge, may you alone be my master—in this world and in the next—for I have no other shelter but you.
Verse 42
Thus, O Lord Jina, those spiritually fortunate ones who, with concentrated minds, according to the rites, their bodies covered with thick horripilation, their gaze fixed on your pure lotus face, compose this hymn of praise—
Verse 43
Having enjoyed the celestial pleasures, radiant like the moon that delights the lotuses of the people's eyes, and having shed all their impurities, they quickly attain liberation.
Verse 44
Worship Guidelines & Chanting Benefits (Phalashruti)
Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)
Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)
Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering
- Peace of mind, spiritual upliftment, and harmonious energy in the home
Background
This hymn is part of the Jain devotional tradition and is addressed to Lord Parshvanatha, the 23rd Tirthankara; verse 2 names him as the one who burned away the pride of the demon Kamatha. It is traditionally attributed to Acharya Kumudachandra, who is identified with Siddhasena Divakara, a name honoured by both Shvetambara and Digambara communities. Scholars do not agree on his date, and his name appears in the final verse (44) as the image of a moon (kumudachandra) that delights the lotuses of the people's eyes. The poem has 44 verses, all in the Vasantatilaka metre except the last, which is in Arya. Jains recite it in worship and meditation, and it is as widely loved as the Bhaktamara Stotra.
About this Text
Composed by: Acharya Kumudachandra
More by Acharya Kumudachandra
Did You Know?
Hymn and Author
This is the Kalyanamandira Stotra, a 44-verse Sanskrit hymn to Parshvanatha, the 23rd Jain Tirthankara, also called the Parshvanatha Stotra. Tradition attributes it to Acharya Kumudachandra, identified with Siddhasena Divakara, and the poet's name appears in verse 44. Scholars disagree about his date.
The Demon Kamatha's Attacks
Verse 2 calls Parshvanatha the fire whose smoke-banner burned away the pride of Kamatha, and verses 31-33 recall this old enemy's attacks: clouds of dust that could not even touch the Jina's shadow, a terrifying flood that the Jina withstood, and a host of ghosts. In the hymn all of it turns into suffering for the aggressor alone.
Power of the Jina's Name
Verse 7 says that, setting aside the Jina's inconceivable majesty, even his name protects the worlds, like a breeze from a lotus pond relieving travellers in scorching summer heat. This reflects a core Jain devotional belief that remembering a Tirthankara with faith loosens karmic bonds (verse 8).
Philosophical Themes
The hymn repeatedly presents the Jina as a savior from the ocean of rebirth (samsara). Verses 10-12 say that those who hold the Jina in their hearts cross the cycle of birth and death easily, as a boat carries a passenger across water, and verse 11 adds that even the god of love, who had overpowered Shiva and others, was destroyed by the Jina in an instant.
Structure and Devotional Use
The poet first admits his inability to praise the Jina fully (verses 2-6), then recalls his miraculous feats, and from verse 34 the hymn becomes a personal confession and a prayer for refuge (verses 34-42). Verse 43 describes the devotees who compose such praise, and the final verse (44) promises that they will enjoy heavenly pleasures and soon attain liberation (moksha). It is commonly chanted in Jain worship.
Parshvanatha
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