Bharat Devotion
Embroidered artwork for 帕尔斯瓦纳塔赞歌: Embroidered Jain ahimsa palm with a gold wheel, white marble temples and lotuses at dawn

帕尔斯瓦纳塔赞歌

帕尔斯瓦纳塔赞歌

这是一首耆那教赞歌,向第23位蒂尔坦卡拉帕尔斯瓦纳塔表达敬意,祈求他消除恐惧和苦难,并引导众生走向解脱。

经文段落

ṇamiuṇa savvasiddhe, dhammaṃ suddhaṃ ca kevalaṃ nāṇaṃ vaṃdiuṃ pāsajiṇaṃ, bhavabhayaharaṇaṃ ṇamaṃsāmi
Namiuna Savvasiddhe, Dhammam Suddham Cha Kevalam Nanam Vandium Pasajinam, Bhavabhayaharanam Namamsami

第节 1

jeṇa uvasaggaghore, ghoramaṇe uvasaggiuṃ muṇivaraṃ dhaṇaṃjayauppaṇṇaṃ, duṭṭheṇa kaeṇa asureṇa
Jena Uvasaggaghore, Ghoramane Uvasaggium Munivaram Dhananjayuppannam, Dutthena Kayena Asurena

第节 2

teṇa viṇivāiuṃ taṃ, ghoraṃ uvasaggadukkhamuppaṇṇaṃ pāsajiṇassa prabhāvo, taṃ ṇamaṃsāmi sirasāhaṃ
Tena Vinivaium Tam, Ghoram Uvasaggadukkhamuppannam Pasajinassa Pabhavo, Tam Namamsami Sirisaham

第节 3

jeṇa savve vi jīvā, pāvaṃti suhaṃ dukkhavippamukkā ya taṃ ṇamaṃsāmi pāsaṃ, bhavabhayaharaṇaṃ ṇamaṃsāmi
Jena Savve Vi Jeeva, Pavanti Suham Dukkhavippamukka Ya Tam Namamsami Pasam, Bhavabhayaharanam Namamsami

第节 4

idi kayaṃ maṇaivasūrīhiṃ, bhayahare thuaṃ pāsajiṇassa jeṇa paḍai ṇa ya bhayaṃ, duggaidukkhaṃ ca pāvaṃti
Idi Kayam Manaivasuriheen, Bhayahare Thuam Pasajinassa Jena Padai Na Ya Bhayam, Duggaidukkham Cha Pavanti

第节 5

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

经典背景

这首赞歌属于耆那教传统,特别与第23位蒂尔坦卡拉(Tirthankara,意为“渡者”或“导师”)帕尔斯瓦纳塔(Parshvanatha)有关。它由中世纪耆那教学者马纳伊瓦苏里(Manadevasuri)创作,属于普拉克里特语(Prakrit)文学传统,这是一种与梵语相关的古代语言,常用于耆那教经文。这首赞歌传统上在祈祷或冥想时吟诵,以祈求帕尔斯瓦纳塔的庇护,并消除对恐惧和苦难的担忧。

关于此经文

作者: Acharya Manatunga · Jain Acharya · Traditionally 6th–7th century CE

A Jain monk credited with composing the Bhaktamara Stotra, a 48-verse hymn to the first Tirthankara Rishabhanatha. According to tradition, he composed it while imprisoned, with each completed verse miraculously breaking one of his chains — a devotional legend rather than a historically verified event, but central to how the hymn is revered today.

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作者与时代

这首颂歌由耆那教僧侣马纳伊瓦苏里(Maṇaiyavasūri)所作,属于耆那教传统中献给第23位蒂尔丹卡拉(Tīrthaṅkara,意为“渡者”或“祖师”)帕尔斯瓦纳塔(Pārśvanātha)的赞美诗。蒂尔丹卡拉是耆那教中已证悟并教导解脱之道的圣者,帕尔斯瓦纳塔生活在约公元前9世纪至8世纪,是耆那教历史上公认的历史人物。

语言特色

颂歌以阿帕布罗舍语(Apabhraṃśa)写成,这是古代印度的一种俗语,介于梵语和现代印度语言之间,曾广泛用于耆那教和佛教的民间文学创作。这种语言的选择使颂歌更贴近普通民众,而非仅限于精英阶层。

核心主题

颂歌反复强调帕尔斯瓦纳塔“消除轮回恐惧”(bhava-bhaya-haraṇa)的力量。在耆那教中,“轮回”指灵魂在生死中的无尽流转,而“恐惧”则源于业力带来的苦难。颂歌祈求这位祖师护佑信徒免受恶道(duggai,即地狱、畜生等不善的转生)之苦。

叙事背景

颂歌提到一个具体事件——恶魔卡玛塔(Kamatha)曾以凶暴的方式攻击一位名叫达南贾亚(Dhanañjaya)的苦行僧。根据耆那教经典,达南贾亚正是帕尔斯瓦纳塔前世的名字,而卡玛塔则是他累世的仇敌。帕尔斯瓦纳塔以神通力化解了这场灾难,这一事迹成为颂歌赞颂其威力的核心。

结构分析

颂歌共五节,结构严谨:首节礼敬一切成就者、正法(dharma)和纯净智慧;中间三节聚焦帕尔斯瓦纳塔降伏恶魔、护佑众生的功德;末节总结作者创作此颂的用意——愿诵持者不再恐惧,不堕恶道。这种“礼敬—叙事—回向”的结构是耆那教赞美诗的典型模式。

文化意义

帕尔斯瓦纳塔是耆那教中仅次于大雄(Mahāvīra,第24位祖师)的重要人物,其标志性符号是蛇。传说他曾被蛇王保护,因此他的形象常与蛇冠相连。这首颂歌在耆那教仪式和日常祈祷中传诵,体现了信徒对祖师护佑的深切信赖。