Bharat Devotion
Embroidered artwork for 如此虔誠的依戀: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

如此虔誠的依戀

如此虔誠的依戀

這是一組印度女聖人米拉拜的虔愛詩歌,描述她對主克里希納的狂喜之愛,以及她為信仰甘願承受苦難、捨棄一切的決心。

經詩內容

hai ām̐kha vo jo śyāma kā darśana kiyā kare hai śīśa, jo prabhu caraṇa meṃ vaṃdana kiyā kare bekāra vo mukha hai jo rahe vyartha bātoṃ meṃ mukha vo hai jo hari nāma kā sumirana kiyā kare
Hai aankh vo jo Shyam ka darshan kiya kare Hai sheesh, jo Prabhu charan mein vandan kiya kare Bekaar vo mukh hai jo rahe vyarth baaton mein Mukh vo hai jo Hari naam ka sumiran kiya kare

第節 1

hīre-motī se nahīṃ śobhā hai hātha kī, jo bhagavāna kā pūjana kiyā kare mara kara bhī amara nāma hai usa jīva kā, jaga meṃ prabhu prema meṃ balidāna jo jīvana kiyā kare
Heere-moti se nahin shobha hai haath ki Hai hāth, jo Bhagwan ka poojan kiya kare Mar kar bhi amar naam hai us jeev ka jag mein Prabhu prem mein balidan jo jeevan kiya kare

第節 2

aisī lagī lagana mīrā ho gaī magana vo to galī-galī hari guṇa gāne lagī aisī lagī lagana mīrā ho gaī magana vo to galī-galī hari guṇa gāne lagī mahaloṃ meṃ palī, bana ke jogana calī mīrā rānī dīvānī kahāne lagī aisī lagī lagana mīrā ho gaī magana
Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Mehalon mein pali, ban ke jogan chali Meera rani deewani kahaane lagi Aisi lagi lagan Meera ho gayi magan

第節 3

koī roke nahīṃ, koī ṭoke nahīṃ mīrā goviṃda-gopāla gāne lagī
Koi roke nahin, koi toke nahin Meera Govind-Gopal gaane lagi Koi roke nahin, koi toke nahin Meera Govind-Gopal gaane lagi

第節 4

baiṭhī saṃtoṃ ke saṃga, raṃgī mohana ke raṃga mīrā premī-prītama ko manāne lagī vo to galī-galī hari guṇa lagī
Baithi santon ke sang, rangi Mohan ke rang Meera premi-preetam ko manane lagi Vo to gali-gali Hari gun lagi

第節 5

aisī lagī lagana mīrā ho gayī magana vo to galī-galī hari guṇa gāne lagī mahaloṃ meṃ palī, bana ke jogana calī mīrā rānī dīvānī kahāne lagī aisī lagī lagana mīrā ho gayī magana
Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Mehalon mein pali, ban ke jogan chali Meera rani deewani kahaane lagi Aisi lagi lagan Meera ho gayi magan

第節 6

rāṇā ne viṣa diyā, māno amṛta piyā mīrā sāgara meṃ saritā samāne lagī
Rana ne vish diya, mano amrit piya Meera sagar mein sarita samane lagi Rana ne vish diya, mano amrit piya Meera sagar mein sarita samane lagi

第節 7

dukha lākhoṃ sahe, mukha se "goviṃda" kahe mīrā goviṃda-gopāla gāne lagī vo to galī-galī hari guṇa gāne lagī
Dukh lakhon sahe, mukh se "Govind" kahe Meera Govind-Gopal gaane lagi Vo to gali-gali Hari gun gaane lagi

第節 8

aisī lagī lagana mīrā ho gaī magana vo to galī-galī hari guṇa gāne lagī mahaloṃ meṃ palī, bana ke jogana calī mīrā rānī dīvānī kahāne lagī aisī lagī lagana mīrā ho gaī magana
Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Mehalon mein pali, ban ke jogan chali Meera rani deewani kahaane lagi Aisi lagi lagan Meera ho gayi magan

第節 9

aisī lagī lagana mīrā ho gaī magana
Aisi lagi lagan Meera ho gayi magan Aisi lagi lagan Meera ho gayi magan

第節 10

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Wednesday (Budhwar), Thursday (Guruwar) & Ekadashi

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Sandhya (Twilight)

Sacred Offerings

Tulsi leaves, Butter (Makhan), Mishri, Yellow flowers & Chandan

Spiritual Benefits (Phalashruti)
  • Awakening of pure divine love (Prema Bhakti), mental joy, and freedom from anxiety

背景介紹

這些詩歌屬於印度教的巴克提(虔愛)傳統,由十六世紀的女聖人米拉拜所作。她出身皇室,卻拋棄世俗榮華,終生專注於對主克里希納的無條件愛與奉獻。這些詩句常在信徒的聚會中唱誦,特別流行於拉賈斯坦與古吉拉特地區,以簡單而強烈的語言表達對神的渴望與陶醉。

您知道嗎?

作者背景

米拉拜(Mīrābāī)是16世紀印度拉傑普特公主,出身王室,卻因對黑天(Kṛṣṇa)的狂熱奉愛而拋棄宮廷生活,成為流浪的苦行女詩人。她的詩歌(bhajan)至今仍在印度各地傳唱,被視為奉愛瑜伽(bhakti yoga)的典範。

毒藥奇蹟

詩中「拉納(Rāṇā)賜毒,米拉視為甘露」指的是她丈夫(或夫家統治者)多次試圖毒害她,但她因對黑天的堅定信仰而毫髮無傷。這個故事在民間廣為流傳,象徵奉愛者超越生死的力量。

「瘋女王」稱號

米拉拜被稱為「瘋女王」(dīvānī rānī),因為她放棄宮殿、穿上苦行衣,在街頭巷尾歌唱黑天的名字。詩中「在宮殿中長大,卻成了苦行女」正是她從貴族到流浪聖徒的戲劇性轉變。

奉愛的核心教導

詩歌強調真正的奉獻不在於外在的珠寶或言語,而在於以眼、頭、口、手全然服務神。例如「眼睛只為看見黑天,頭只為頂禮主足」——這種將身體每個部分都獻給神的觀念,是奉愛瑜伽的典型表達。

更多來自 印度教 的內容

查看全部

跨傳統相通教義

同一教義,迴響於不同傳統之中