Bharat Devotion
Embroidered artwork for 如此虔诚的依恋: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

如此虔诚的依恋

如此虔诚的依恋

这是一组由印度16世纪女诗人、圣徒米拉拜创作的虔诚诗歌(bhajan),表达了她对主克里希纳无条件的爱与奉献,以及她为信仰甘愿舍弃世俗荣华、忍受苦难的决心。

经文段落

hai ām̐kha vo jo śyāma kā darśana kiyā kare hai śīśa, jo prabhu caraṇa meṃ vaṃdana kiyā kare bekāra vo mukha hai jo rahe vyartha bātoṃ meṃ mukha vo hai jo hari nāma kā sumirana kiyā kare
Hai aankh vo jo Shyam ka darshan kiya kare Hai sheesh, jo Prabhu charan mein vandan kiya kare Bekaar vo mukh hai jo rahe vyarth baaton mein Mukh vo hai jo Hari naam ka sumiran kiya kare

第节 1

hīre-motī se nahīṃ śobhā hai hātha kī, jo bhagavāna kā pūjana kiyā kare mara kara bhī amara nāma hai usa jīva kā, jaga meṃ prabhu prema meṃ balidāna jo jīvana kiyā kare
Heere-moti se nahin shobha hai haath ki Hai hāth, jo Bhagwan ka poojan kiya kare Mar kar bhi amar naam hai us jeev ka jag mein Prabhu prem mein balidan jo jeevan kiya kare

第节 2

aisī lagī lagana mīrā ho gaī magana vo to galī-galī hari guṇa gāne lagī aisī lagī lagana mīrā ho gaī magana vo to galī-galī hari guṇa gāne lagī mahaloṃ meṃ palī, bana ke jogana calī mīrā rānī dīvānī kahāne lagī aisī lagī lagana mīrā ho gaī magana
Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Mehalon mein pali, ban ke jogan chali Meera rani deewani kahaane lagi Aisi lagi lagan Meera ho gayi magan

第节 3

koī roke nahīṃ, koī ṭoke nahīṃ mīrā goviṃda-gopāla gāne lagī
Koi roke nahin, koi toke nahin Meera Govind-Gopal gaane lagi Koi roke nahin, koi toke nahin Meera Govind-Gopal gaane lagi

第节 4

baiṭhī saṃtoṃ ke saṃga, raṃgī mohana ke raṃga mīrā premī-prītama ko manāne lagī vo to galī-galī hari guṇa lagī
Baithi santon ke sang, rangi Mohan ke rang Meera premi-preetam ko manane lagi Vo to gali-gali Hari gun lagi

第节 5

aisī lagī lagana mīrā ho gayī magana vo to galī-galī hari guṇa gāne lagī mahaloṃ meṃ palī, bana ke jogana calī mīrā rānī dīvānī kahāne lagī aisī lagī lagana mīrā ho gayī magana
Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Mehalon mein pali, ban ke jogan chali Meera rani deewani kahaane lagi Aisi lagi lagan Meera ho gayi magan

第节 6

rāṇā ne viṣa diyā, māno amṛta piyā mīrā sāgara meṃ saritā samāne lagī
Rana ne vish diya, mano amrit piya Meera sagar mein sarita samane lagi Rana ne vish diya, mano amrit piya Meera sagar mein sarita samane lagi

第节 7

dukha lākhoṃ sahe, mukha se "goviṃda" kahe mīrā goviṃda-gopāla gāne lagī vo to galī-galī hari guṇa gāne lagī
Dukh lakhon sahe, mukh se "Govind" kahe Meera Govind-Gopal gaane lagi Vo to gali-gali Hari gun gaane lagi

第节 8

aisī lagī lagana mīrā ho gaī magana vo to galī-galī hari guṇa gāne lagī mahaloṃ meṃ palī, bana ke jogana calī mīrā rānī dīvānī kahāne lagī aisī lagī lagana mīrā ho gaī magana
Aisi lagi lagan Meera ho gayi magan Vo to gali-gali Hari gun gaane lagi Mehalon mein pali, ban ke jogan chali Meera rani deewani kahaane lagi Aisi lagi lagan Meera ho gayi magan

第节 9

aisī lagī lagana mīrā ho gaī magana
Aisi lagi lagan Meera ho gayi magan Aisi lagi lagan Meera ho gayi magan

第节 10

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Wednesday (Budhwar), Thursday (Guruwar) & Ekadashi

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Sandhya (Twilight)

Sacred Offerings

Tulsi leaves, Butter (Makhan), Mishri, Yellow flowers & Chandan

Spiritual Benefits (Phalashruti)
  • Awakening of pure divine love (Prema Bhakti), mental joy, and freedom from anxiety

经典背景

这些诗句出自印度巴克提(奉爱)传统,由16世纪的拉杰普特公主兼圣徒米拉拜所作。她因对主克里希纳的狂热虔诚而闻名,常被描绘为抛弃宫廷生活、流浪街头歌唱赞美诗。这些诗歌传统上在印度教奉爱集会中吟唱,是米拉拜虔诚文学的代表作。

您知道吗?

作者身份

米拉拜(Mirabai,约1498–1547年)是印度中世纪最著名的女诗人之一,出身拉贾斯坦邦的拉杰普特王室,后嫁入梅瓦尔王国。她抛弃宫廷生活,成为克里希纳(黑天)的狂热奉献者,其诗歌和生平成为巴克提(虔信)运动的标志。

诗歌语言

米拉拜的作品多用布拉吉语(Braj Bhasha)和拉贾斯坦语写成,这两种方言至今在北印度 devotional 歌曲中广泛使用。她的诗以直白、炽热的情感著称,常以新娘或恋人的口吻表达对克里希纳的渴慕。

毒药传说

诗中“Rana ne vish diya, mano amrit piya”指的是流传最广的轶事:米拉拜的丈夫(或婆家)因她公开 devotion 而多次试图毒害她,但她因克里希纳的护佑将毒药化为甘露,安然无恙。这一情节象征奉献者超越世俗迫害的坚定信仰。

“疯女王”形象

米拉拜自称“diwani”(疯癫者),诗中“meera rani diwani kahaney lagi”反映她因沉浸于对克里希纳的爱而被世人视为疯狂。她放弃宫殿,与游方圣徒为伴,在街头巷尾唱诵神名,成为打破种姓与性别界限的典范。

音乐结构

这首 bhajan 采用重复的副歌“aisi lagi lagan meera ho gayi magan”,是北印度 devotional 歌曲的典型形式。这种循环吟唱帮助听众进入冥想般的专注状态,模仿米拉拜“沉浸于神”的体验,至今仍在寺庙和家庭中传唱。

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