Bharat Devotion
Embroidered artwork for Sri Dnyaneshwar Haripath — 28 Abhanga Canonici: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

Sri Dnyaneshwar Haripath — 28 Abhanga Canonici

Sri Dnyaneshwar Haripath — 28 Abhanga Canonici

Il cuore spirituale e la liturgia quotidiana della tradizione Warkari composta da Sant Dnyaneshwar ad Alandi. Composto da 28 abhanga canonici, questo testo sacro fonde la non-dualità vedica con la devozione fervente al Signore Vitthal, proclamando che il canto del sacro nome dona la liberazione totale.

Versi

Devāciie Dvārīṃ Ubhā Kshaṇabharī Teṇeṃ Mukti Ciārī Sādhiieliā 1 Hari Mukheṃ Mhaṇā Hari Mukheṃ Mhaṇā Puṃṇiācī Gaṇanā Koṇ Karī 2 Asoni Saṃsārīṃ Givhe Vegu Karī Vedashāstra Ubhārī Bāhiā Sadā 3 Gñānadeva Mhaṇe Viāsāciiā Khuṇā Dvārakeciā Rāṇā Pāṃḍavāṃgharīṃ
Devaachiyen dwaareen ubhaa kshanabhari | Tenen mukti chaaree saadhiyelyaa || 1 || Hari mukhen mhanaa Hari mukhen mhanaa | Punnyaachee gananaa kon karee || 2 || Asoni samsaareen jivhe vegu karee | Veda-shaastra ubhaaree baahyaa sadaa || 3 || Dnyaanadeva mhane Vyaasaachiyaa khunaa | Dwaarakechaa raanaa Paandavaanghareen || 4 ||

Verso 1

Ciahūṃ Vedīṃ Giāṇa Sāhīshāstrīṃ Kāraṇa Aṭharāhī Purāṇeṃ Harisī Gātī 1 Maṃthunī Navanītā Taiseṃ Ghe Anaṃtā Vāiāṃ Viartha Kathā Sāṃḍī Mārgu 2 Eka Hari Ātmā Gīvashiva Sama Vāiāṃ Tū Durgamā Na Ghālī Mana 3 Gñānadevā Pāṭha Hari Hā Vaikuṃṭha Bharalā Ghanadāṭa Hari Dise
Chahoon vedeen jaan saahi-shaastreen kaaran | Atharaahee puraaneen Harisee gaatee || 1 || Manthoonee navaneetaa taisen ghe Anantaa | Waayaan vyartha kathaa saandee maargu || 2 || Eka Hari aatmaa jeeva-shiva sama | Waayaan too durgamaa na ghaalee mana || 3 || Dnyaanadevaa paatha Hari haa Vaikuntha | Bharalaa ghanadaata Hari dise || 4 ||

Verso 2

Triguṇa Asāra Nirguṇa Heṃ Sāra Sārāsāra Viciāra Haripāṭha 1 Saguṇa Nirguṇa Guṇāceṃ Aguṇa Harivīṇeṃ Mana Viartha Giāia 2 Aviakta Nirākāra Nāhīṃ Giā Ākāra Gethuni Ciarāciara Harisī Bhageṃ 3 Gñānadevā Dhiānīṃ Rāmakṛshṇa Manīṃ Anaṃta Gianmāṃnī Puṇia Hoia
Triguna asaara nirguna hen saara | Saaraasaara vichaara Haripaatha || 1 || Saguna nirguna gunaachen aguna | Hariveenen mana vyartha jaaya || 2 || Avyakta niraakaara naaheen jyaa aakaara | Jethuni charaachara Harisee bhaje || 3 || Dnyaanadevaa dhyaaneen Raama-Krishna maneen | Ananta janmaannee punya hoya || 4 ||

Verso 3

Bhāveṃvīṇa Bhakti Bhaktiviṇa Mukti Bal̤eṃvīṇ Shakti Bolu Naie 1 Kaiseni Daivata Prasanna Tvarita Ugā Rāheṃ Nivāṃta Shiṇasī Vāiāṃ 2 Sāiāseṃ Karisī Prapaṃcia Dinanishīṃ Harisī Na Bhagiasī Kavaṇiā Guṇeṃ 3 Gñānadeva Mhaṇeṃ Harigiapa Karaṇeṃ Tuṭela Dharaṇeṃ Prapaṃciāceṃ
Bhaaveenveena bhakti bhaktiveena mukti | Baleenveena shakti bolu naye || 1 || Kaiseni daivata prasanna tvarita | Ugaa raahen nivaanta shinasee waayaan || 2 || Saayaasen karisee prapancha dinanisheen | Harisee na bhajasee kavanyaa guneen || 3 || Dnyaanadeva mhanen Hari-japa karanen | Tutela dharanen prapanchaachen || 4 ||

Verso 4

Iogaiāgavidhi Ieṇeṃ Nohe Siddhī Vāiāṃci Upādhi Daṃbha Dharma 1 Bhāveṃviṇa Deva Na Kal̤e Ni:saṃdeha Guruviṇa Anubhava Kaisā Kal̤e 2 Tapeṃvīṇa Daivata Didhaliāviṇa Prāpta Gugeṃviṇa Hita Koṇa Sāṃge 3 Gñānadeva Sāṃge Dṛshṭāṃtācī Māta Sādhūce Saṃgatī Taraṇopāia
Yoga-yaaga-vidhi yenen nohe siddhee | Waayaan-chi upaadhi dambha dharma || 1 || Bhaaveenveena deva na kale nihsandeha | Guruveena anubhava kaisaa kale || 2 || Tapeenveena daivata didhlyaaveena praapta | Gujeenveena hita kona saange || 3 || Dnyaanadeva saange drishtaantaachee maata | Saadhoocha sangatee taranopaaya || 4 ||

Verso 5

Sādhubodha Giālā To Nuroniiāṃ Ṭhelā Ṭhāiīṃcia Murālā Anubhaveṃ 1 Kāpurācī Vātī Ugial̤alī Gioti Ṭhāiīṃcia Samāpti Giālī Giaisī 2 Moksharekhe Ālā Bhāgieṃ Vinaṭalā Sādhūṃciā Aṃkilā Haribhakta 3 Gñānadevā Goḍī Saṃgati Saggianīṃ Hari Dise Gianīṃ Vanī Ātmatatvīṃ
Saadhu-bodha jhaalaa to nuroniyaa thelaa | Thaayeencha muraalaa anubhaven || 1 || Kaapuraachee vaatee ujalalee jyotee | Thaayeencha samaaptee jhaalee jaisee || 2 || Moksha-rekhe aalaa bhaagyen vinatalaa | Saadhoonchaa ankilaa Hari-bhakta || 3 || Dnyaanadevaa godee sangatee sajjaneen | Hari dise janeen vaneen aatma-tatveen || 4 ||

Verso 6

Parvatāpramāṇe Pātaka Karaṇeṃ Vagralepa Hoṇeṃ Abhaktāsī 1 Nāhīṃ Giāṃsī Bhakti Te Patita Abhakta Harisī Na Bhagiata Daivahata 2 Anaṃta Vāciāl̤a Baral̤atī Baral̤a Tiāṃ Kaiṃciā Daiāl̤a Pāve Hari 3 Gñānadevā Pramāṇa Ātmā Hā Nidhāna Sarvāṃghaṭīṃ Pūrṇa Eka Nāṃde
Parvataa-pramaane paataka karnen | Vajra-lepa honen abhaktaasee || 1 || Naaheen jyaamsee bhakti te patita abhakta | Harisee na bhajata daiva-hata || 2 || Ananta vaachaala baralateebarala | Tyaan kainchaa dayaala paave Hari || 3 || Dnyaanadevaa pramaana aatmaa haa nidhaana | Sarvaanghateen poorna eka naande || 4 ||

Verso 7

Saṃtāṃce Saṃgatīṃ Manomārga Gati Ākal̤āvā Shrīpati Ieṇeṃ Paṃtheṃ 1 Rāmakṛshṇa Vāciā Bhāva Hā Gīvāciā Ātmā Gio Shivāciā Rāma Giapa 2 Ekatatva Nāma Sādhitī Sādhana Dvaitāceṃ Baṃdhana Na Bādhige 3 Nāmāmṛta Goḍī Vaishṇavāṃ Lādhalī Iogiiāṃ Sādhalī Gīvanakal̤ā 4 Satvara Uciiāra Pralhādīṃ Biṃbalā Uddhavā Lādhalā Kṛshṇadātā 5 Gñānadeva Mhaṇe Nāma Heṃ Sulabha Sarvatra Durlabha Viral̤ā Giāṇe
Santaanche sangatheen mano-maarga gatee | Aakalaavaa Shreepatee yenen panthen || 1 || Raama-Krishna vaachaa bhaava haa jeevaachaa | Aatmaa jo Shivaachaa Raama japa || 2 || Eka-tatva naama saadhitee saadhana | Dvaitaachen bandhana na baadhije || 3 || Naamaamrita godee Vaishnavaan laadhalee | Yogiyaan saadhalee jeevana-kalaa || 4 || Satvara uchhaara Pralhaadeen bimbalaa | Uddhavaa laadhalaa Krishna-daataa || 5 || Dnyaanadeva mhane naama hen sulabha | Sarvatra durlabha viralaa jaane || 6 ||

Verso 8

Vishṇuviṇa Giapa Viartha Tiāceṃ Gñāna Rāmakṛshṇīṃ Mana Nāhīṃ Giāceṃ 1 Upagionī Karaṃṭā Neṇeṃ Advaia Vāṭā Rāmakṛshṇīṃ Paiṭhā Kaisenī Hoia 2 Dvaitācī Giāḍaṇī Guruviṇa Gñāna Taiā Kaiceṃ Kīrtana Ghaḍe Nāmīṃ 3 Gñānadeva Mhaṇe Saguṇa Heṃ Dhiāna Nāmapāṭha Mauna Prapaṃciāce
Vishnuveena japa vyartha tyaachen jnyaana | Raama-Krishneen mana naaheen jyaachen || 1 || Upajonee karantaa neney advaya vaataa | Raama-Krishneen paithaa kaisenee hoya || 2 || Dvaitaachee jhaadanee Guruveena jnyaana | Tayaa kainchen keertana ghade naameen || 3 || Dnyaanadeva mhane saguna hen dhyaana | Naama-paatha mauna prapanchaache || 4 ||

Verso 9

Triveṇīsaṃgamīṃ Nānā Tīrthe Bhramī Citta Nāhīṃ Nāmīṃ Tarī Teṃ Viartha 1 Nāmāsī Vinmukha To Nara Pāpiiā Harivīṇa Dhāṃvaiā Na Pāve Koṇī 2 Purāṇaprasiddha Bolile Vālmīka Nāmeṃ Tīnhī Loka Uddharatī 3 Gñānadeva Mhaṇe Nāma Giapā Harīceṃ Paraṃparā Tiāceṃ Kul̤a Shuddha
Trivenee-sangameen naanaa teerthe bhramee | Chitta naaheen naameen taree ten vyartha || 1 || Naamaasee vinmukha to nara paapiyaa | Hariveena dhaanvayaa na paave konee || 2 || Puraana-prasiddha bolile Vaalmeeka | Naamen teenhee loka uddharatee || 3 || Dnyaanadeva mhane naama japaa Hareechen | Paramparaa tyaachen kula shuddha || 4 ||

Verso 10

Hari Uciiāraṇīṃ Anaṃta Pāparāshī Giātīla Laiāsī Kshaṇamātre 1 Tṛṇa Agnimel̤eṃ Samarasa Giāleṃ Taiseṃ Nāmeṃ Keleṃ Giapatāṃ Hari 2 Hari Uciiāraṇa Maṃtra Pai Agādha Pal̤e Bhūtabādhā Bheṇe Tetheṃ 3 Gñānadeva Mhaṇe Hari Māgiā Samartha Na Karave Artha Upanishadāṃ
Hari uchhaaraneen ananta paapa-raashee | Jaateela layaasee kshana-maatre || 1 || Trina agni-melen samaras jhaalen | Taisen naamen kelen japataan Hari || 2 || Hari uchhaarana mantra pai agaadha | Pale bhoota-baadhaa bhene tethen || 3 || Dnyaanadeva mhane Hari maajhaa samartha | Na karave artha Upanishadaan || 4 ||

Verso 11

Tīrtha Vrata Nema Bhāveṃviṇa Siddhi Vāiāṃci Upādhi Karisī Gianāṃ 1 Bhāvabal̤eṃ Ākal̤e Ieṟhavīṃ Nākal̤e Karatal̤īṃ Āṃval̤e Taisā Hari 2 Pāriiāciā Ravā Ghetāṃ Bhūmivarī Iatna Paroparī Sādhana Taiseṃ 3 Gñānadeva Mhaṇe Nivṛtti Nirguṇa Didhaleṃ Saṃpūrṇa Māge Hātīṃ
Teertha vrata nema bhaaveenveena siddhee | Waayaan-chi upaadhi karisee janaan || 1 || Bhaava-balen aakale yerhaveen naakale | Karataleen aamvale taisaa Hari || 2 || Paariyaachaa ravaa ghetaan bhoomeevaree | Yatna paroparee saadhana taisen || 3 || Dnyaanadeva mhane Nivritti nirguna | Didhalen sampoorna maajhe haatee || 4 ||

Verso 12

Samādhi Haricī Sama Sukheṃvīṇa Na Sādhela Giāṇa Dvaitabuddhi 1 Buddhīceṃ Vaibhava Ania Nāhīṃ Dugeṃ Ekā Keshavarāgeṃ Sakal̤a Siddhi 2 Ṛddhi Siddhi Nidhī Avaghīcia Upādhi Giaṃva Tiā Paramānaṃdīṃ Mana Nāhīṃ 3 Gñānadevī Ramia Ramaleṃ Samādhāna Hariceṃ Ciṃtana Sarvakāl̤a
Samaadhi Hareechee sama sukheenveena | Na saadhela jaan dvaita-buddhee || 1 || Buddheechen vaibhava anya naaheen dujen | Ekaa Keshava-raajen sakala siddhee || 2 || Riddhi siddhi nidhee avagheech upaadhi | Janva tyaa paramaanandeen mana naaheen || 3 || Dnyaanadevee ramya ramale samaadhaana | Hareechen chintana sarva-kaala || 4 ||

Verso 13

Nitia Satia Mita Haripāṭha Giāsī Kal̤īkāl̤a Tiāsī Na Pāhe Dṛshṭī 1 Rāmakṛshṇa Uciiāra Anaṃtarāshī Tapa Pāpāce Kal̤apa Pal̤atī Puḍheṃ 2 Hari Hari Hari Maṃtra Hā Shivāciā Mhaṇatī Ge Vāciā Taiāṃ Moksha 3 Gñānadevā Pāṭha Nārāiaṇa Nāma Pāvige Uttama Nigiasthāna
Nitya satya mita Haripaatha jyaasee | Kaleekaala tyaasee na paahe drishtee || 1 || Raama-Krishna uchhaara ananta-raashee tapa | Paapaache kalapa palatee pudhen || 2 || Hari Hari Hari mantra haa Shivaachaa | Mhanatee je vaachaa tayaan moksha || 3 || Dnyaanadevaa paatha Naaraayana naama | Paavije uttama nija-sthaana || 4 ||

Verso 14

Eka Nāma Hari Dvaitanāma Durī Advaita Kusarī Viral̤ā Giāṇeṃ 1 Samabuddhi Ghetāṃ Samāna Shrīhari Shamadamāṃvarī Hari Giālā 2 Sarvāṃghaṭīṃ Rāma Dehāṃdehīṃ Eka Sūria Prakāshaka Sahasrarashmī 3 Gñānadevā Cittīṃ Haripāṭha Nemā Māgiliiā Gianmā Mukta Giāloṃ
Eka naama Hari dvaita-naama dooree | Advaita kusaree viralaa jaane || 1 || Sama-buddhee ghetaan samaana Shree-Hari | Shama-damaanvaree Hari jhaalaa || 2 || Sarvaanghateen Raama dehaan-deheen eka | Soorya prakaashaka sahasra-rashmee || 3 || Dnyaanadevaa chitteen Haripaatha nemaa | Maagiliyaa janmaa mukta jhaalon || 4 ||

Verso 15

Harināma Giape To Nara Durlabha Vācesī Sulabha Rāmakṛshṇa 1 Rāma Kṛshṇa Nāmīṃ Unmanī Sādhalī Taiāsī Lādhalī Sakal̤a Siddhī 2 Siddhi Buddhi Dharma Haripāṭhīṃ Āle Prapaṃcī Nivāle Sādhusaṃge 3 Gñānadevā Nāma Rāmakṛshṇa Ṭhasā Ieṇeṃ Dashadishā Ātmārāma
Hari-naama jape to nara durlabha | Vaachesee sulabha Raama-Krishna || 1 || Raama Krishna naameen unmanee saadhalee | Tayaasee laadhalee sakala siddhee || 2 || Siddhi buddhi dharma Haripaatheen aale | Prapancheen nivaale saadhu-sange || 3 || Dnyaanadevaa naama Raama-Krishna thasaa | Yenen dasha-dishaa aatmaa-raama || 4 ||

Verso 16

Haripāṭhakīrti Mukheṃ Giarī Gāia Pavitraci Hoia Deha Tiāciā 1 Tapāce Sāmarthie Tapinnalā Amūpa Ciraṃgīva Kalpakoṭi Vaikuṃṭhīṃ Nāṃde 2 Mātṛpitṛbhrātā Sagotra Apāra Ciaturbhugia Nara Ho‌ūni Ṭhele 3 Gñāna Gūḍha Gamia Gñānadevā Lādhaleṃ Nivṛttīneṃ Didhale Māge Hātīṃ
Haripaatha-keerti mukhen jaree gaaya | Pavitra-chi hoya deha tyaachaa || 1 || Tapaache saamarthye tapinnalaa amoopa | Chiranjeeva kalpa-koti Vaikuntheen naande || 2 || Maatru-pitru-bhraataa sagotra apaara | Chaturbhuja nara houni thele || 3 || Jnyaana goodha gamya Dnyaanadevaa laadhale | Nivrittinen didhale maajhe haatee || 4 ||

Verso 17

Harivaṃshapurāṇa Harināma Saṃkīrtana Hariviṇa Saugiania Neṇeṃ Kāṃhīṃ 1 Tiā Narā Lādhaleṃ Vaikuṃṭha Gioḍaleṃ Sakal̤a Ghaḍaleṃ Tīrthāṭana 2 Manomārgeṃ Gelā To Tethe Mukalā Haripāṭhīṃ Sthirāvalā Toci Dhania 3 Gñānadevā Goḍī Harināmācī Gioḍī Rāmakṛshṇīṃ Āvaḍi Sarvakāl̤a
Harivamsha-puraana Hari-naama sankeertana | Hariveena saujanya neney kaanheen || 1 || Tyaa naraa laadhale Vaikuntha jodale | Sakala ghadale teerthaatana || 2 || Mano-maargen gelaa to tethe mukalaa | Haripaatheen sthiraavalaa tochee dhanya || 3 || Dnyaanadevaa godee Hari-naamaachee jodee | Raama-Krishneen aawadi sarva-kaala || 4 ||

Verso 18

Nāmasaṃkīrtana Vaishṇavāṃcī Gioḍī Pāpe Anaṃta Koṭī Gelī Tiāṃcī 1 Anaṃta Gianmāṃce Tapa Eka Nāma Sugama Haripāṭha 2 Ioga Iāga Kriiā Dharmādharma Māiā Gele Te Vilaiā Haripāṭhīṃ 3 Gñānadevī Iagña Iāga Kriiā Dharma Hariviṇa Nema Nāhīṃ Dugiā
Naama-sankeertana Vaishnavaanchee jodee | Paape ananta koti gelee tyaanchee || 1 || Ananta janmaan-che tapa eka naama | Sugama Haripaatha || 2 || Yoga yaaga kriyaa dharmaadharma maayaa | Gele te vilayaa Haripaatheen || 3 || Dnyaanadevee yajnya yaaga kriyaa dharma | Hariveena nema naaheen dujaa || 4 ||

Verso 19

Vedashāstrapurāṇa Shrutice Vaciana Eka Nārāiaṇa Sāra Giapa 1 Giapa Tapa Karma Hariviṇa Dharma Vā‌ugāci Shrama Viartha Giāia 2 Haripāṭhīṃ Gele Te Nivāṃtaci Ṭhele Bhramara Guṃtale Sumanakal̤ike 3 Gñānadevī Maṃtra Harināmāce Shastra Iameṃ Kul̤agotra Vargiiele
Veda-shaastra-puraana shruteeche vachana | Eka Naaraayana saara japa || 1 || Japa tapa karma Hariveena dharma | Vaaugaa-chi shrama vyartha jaaya || 2 || Haripaatheen gele te nivaantachi thele | Bhramara guntale sumana-kalike || 3 || Dnyaanadevee mantra Hari-naamaache shastra | Yamen kula-gotra varjiyele || 4 ||

Verso 20

Kāl̤a Vel̤a Nāma Uciiāritāṃ Nāhī Donhī Paksha Pāhīṃ Uddharatī 1 Rāmakṛshṇa Nāma Sarva Doshāṃ Haraṇa Giaḍagīvāṃ Tāraṇa Hari Eka 2 Harināma Sāra Givhā Iā Nāmācī Upamā Tiā Devācī Koṇa Vānī 3 Gñānadevā Sāṃga Giālā Haripāṭha Pūrvagiāṃ Vaikuṃṭha-mārga Sopā
Kaala vela naama uchhaaritaan naahee | Donhee paksha paaheen uddharatee || 1 || Raama-Krishna naama sarva doshaan harana | Jada-jeevaan taarana Hari eka || 2 || Hari-naama saara jivhaa yaa naamaachee | Upamaa tyaa devaachee kona vaanee || 3 || Dnyaanadevaa saanga jhaalaa Haripaatha | Poorvajaan Vaikuntha-maarga sopaa || 4 ||

Verso 21

Nitianema Nāmīṃ Te Prāṇī Durlabha Lakshmīvallabha Taiāṃ Giaval̤ī 1 Nārāiaṇa Hari Nārāiaṇa Hari Bhukti Mukti Ciārī Gharīṃ Tiāṃciā 2 Hariviṇa Gianma To Narakaci Paiṃ Giāṇā Iamāciā Pāhuṇā Prāṇi Hoia 3 Gñānadeva Puse Nivṛttīsī Ciāḍa Gaganāhuni Vāḍa Nāma Āhe
Nitya-nema naameen te praanee durlabha | Lakshmee-vallabha tayaan javalee || 1 || Naaraayana Hari Naaraayana Hari | Bhukti mukti chaaree ghareen tyaanchyaa || 2 || Hariveena janma to narakachi pain jaanaa | Yamaachaa paahunaa praanee hoya || 3 || Dnyaanadeva puse Nivrittisee chaada | Gaganaahuni vaada naama aahe || 4 ||

Verso 22

Sāta Pāṃcia Tīna Dashakāṃciā Mel̤ā Eka Tattvīṃ Kal̤ā Dāvī Hari 1 Taiseṃ Navhe Nāma Sarvatra Varīshṭha Tetheṃ Kāṃhīṃ Kashṭa Na Lāgatī 2 Agiapā Giapaṇeṃ Ulaṭa Prāṇāciā Tetheṃhi Manāciā Nirdhāra Ase 3 Gñānadevā Giṇeṃ Nāmeṃviṇa Viartha Rāmakṛshṇīṃ Paṃtha Kramiielā
Saata paancha teena dashakaan-chaa melaa | Eka tattveen kalaa daavee Hari || 1 || Taisen navhe naama sarvatra vareeshta | Tethen kaanheen kashta na laagatee || 2 || Ajapaa japanen ulata praanaachaa | Tethenhee manaachaa nirdhaara ase || 3 || Dnyaanadevaa jinen naameenveena vyartha | Raama-Krishneen pantha kramiyelaa || 4 ||

Verso 23

Giapa Tapa Karma Kriiā Nema Dharma Sarvāṃghaṭīṃ Rāma Bhāva Shuddha 1 Na Soḍī Hā Bhāvo Ṭākī Re Saṃdeho Rāmakṛshṇa Ṭāho Nitia Poḍī 2 Giāti Vitta Gota Kulashīla Māta Bhagiakāṃ Tvarīta Bhāvaiukta 3 Gñānadevā Dhiānīṃ Rāmakṛshṇa Manīṃ Vaikuṃṭhabhuvanī Ghara Keleṃ
Japa tapa karma kriyaa nema dharma | Sarvaanghateen Raama bhaava shuddha || 1 || Na sodee haa bhaavo taakee re sandeho | Raama-Krishna taaho nitya fodee || 2 || Jaati vitta gota kula-sheela maata | Bhajakaan tvareeta bhaava-yukta || 3 || Dnyaanadevaa dhyaaneen Raama-Krishna maneen | Vaikuntha-bhuvanee ghara kelen || 4 ||

Verso 24

Giāṇīva Neṇīva Bhagavaṃtīṃ Nāhīṃ Hari‌uciiāraṇīṃ Pāhī Moksha Sadāṃ 1 Nārāiaṇa Hari Uciiāra Nāmāciā Tetheṃ Kal̤ikāl̤āciā Rīgha Nāhīṃ 2 Tethīla Pramāṇa Neṇaveṃ Vedāṃsī Teṃ Gīvagiaṃtūṃsī Keṃvī Kal̤e 3 Gñānadevā Pal̤a Nārāiaṇa Pāṭha Sarvatra Vaikuṃṭha Keleṃ Ase
Jaaneeva neneeva Bhagavanteem naaheen | Hari-uchhaaraneen paahee moksha sadaan || 1 || Naaraayana Hari uchhaara naamaachaa | Tethen kalikaalaachaa reegha naaheen || 2 || Tetheela pramaana nenaven vedaansee | Ten jeeva-jantooneesee kenvee kale || 3 || Dnyaanadevaa phala Naaraayana paatha | Sarvatra Vaikuntha kelen ase || 4 ||

Verso 25

Eka Tatva Nāma Dṛḍha Dharīṃ Manā Harīsī Karuṇā Ie‌īla Tugī 1 Teṃ Nāma Sopeṃ Re Rāma-kṛshṇa Goviṃda Vācesī Sadgada Giapā Ādhīṃ 2 Nāmāparateṃ Tattva Nāhīṃ Re Aniathā Vāiāṃ Āṇikā Paṃthā Giāshīla Giaṇīṃ 3 Gñānadevā Mauna Giapa Māl̤a Aṃtarī Dharonī Shrīhari Giape Sadāṃ
Eka tatva naama dridha dhareen manaa | Hareesee karunaa yeeela tujhee || 1 || Ten naama sopen re Raama-Krishna Govinda | Vaachesee sadgada japaa aadheen || 2 || Naamaa-paraten tattva naaheen re anyathaa | Waayaan aanikaa panthaa jaasheela jhaneen || 3 || Dnyaanadevaa mauna japa maala antaree | Dharonee Shree-Hari jape sadaan || 4 ||

Verso 26

Sarva Sukha Goḍī Sāhī Shāstreṃ Nivaḍī Rikāmā Ardhaghaḍī Rāhūṃ Nako 1 Laṭikā Viavahāra Sarva Hā Saṃsāra Vāiāṃ Ieragiāra Harivīṇa 2 Nāma Maṃtra Giapa Koṭī Giā‌īla Pāpa Rāmakṛshṇīṃ Saṃkalpa Dharuni Rāheṃ 3 Nigiavṛtti He Kāḍhī Sarva Māiā Toḍī Iṃdriiāṃ Savaḍī Lapū Nako 4 Tīrthī Vratīṃ Bhāva Dharī Re Karuṇā Shāṃti Daiā Pāhuṇā Hari Karī 5 Gñānadevā Pramāṇa Nivṛttidevīṃ Gñāna Samādhi Saṃgīvana Haripāṭha
Sarva sukha godee saahi shaastre nivadee | Rikaamaa ardha-ghadee raahoon nako || 1 || Latikaa vyavahaara sarva haa samsaara | Waayaan yerajhaara Hariveena || 2 || Naama mantra japa kotee jaaeela paapa | Raama-Krishneen sankalpa dharuni raahen || 3 || Nija-vritti he kaadhee sarva maayaa todee | Indriyaan savadee lapoo nako || 4 || Teertheen vrateen bhaava dharee re karunaa | Shaanti dayaa paahunaa Hari karee || 5 || Dnyaanadevaa pramaana Nivritti-deveen jnyaana | Samaadhi sanjeevana Haripaatha || 6 ||

Verso 27

Abhaṃga Haripāṭha Asatī Aṭhṭhāvīsa Racile Vishvāseṃ Gñānadeveṃ 1 Nitia Pāṭha Karī Iṃdrāiaṇītīrīṃ Hoia Adhikārī Sarvathā To 2 Asāveṃ Ekāgrīṃ Svastha Citta Manīṃ Ulhāseṃkarūnī Smaraṇa Gīvī 3 Aṃtakāl̤ī Taisā Saṃkaṭāce Vel̤īṃ Hari Tiā Sāṃbhāl̤ī Aṃtarbāhia 4 Saṃtasaggianāṃnī Ghetalī Pracīti Āl̤asī Maṃdamati Kevīṃ Tare 5 Shrīguru-nivṛttivaciana Teṃ Premal̤a Toshalā Tātkāl̤a Gñānadeva
Abhanga Haripaatha asatee aththaaveesa | Rachile vishvaasen Dnyaanadeven || 1 || Nitya paatha karee Indraayaneeteereen | Hoya adhikaaree sarvathaa to || 2 || Asaaven ekaagreen svastha chitta maneen | Ulhaasen-karoonee smarana jeevee || 3 || Anta-kaalee taisaa sankataache veleen | Hari tyaa saambhaalee antar-baahya || 4 || Santa-sajjanaanee ghetalee pracheetee | Aalasee manda-matee kenveen tare || 5 || Shree-Guru-Nivritti-vachana ten premala | Toshalaa taatkaala Dnyaanadeva || 6 ||

Verso 28

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Daily or auspicious lunar days (Ekadashi, Purnima, Pradosham)

Best Time (Muhurta)

Brahma Muhurta (4:00 AM – 6:00 AM) or Evening Dusk (Sandhya)

Sacred Offerings

Ghee lamp (Deepa), Incense (Dhoopa), Fresh flowers & Water offering

Spiritual Benefits (Phalashruti)
  • Peace of mind, spiritual upliftment, and harmonious energy in the home

Contesto

Sant Dnyaneshwar compose questo immortale Haripath sulle rive del fiume Indrayani ad Alandi intorno al 1290 d.C. Nella tradizione Warkari, se la Dnyaneshwari rappresenta le fondamenta intellettuali, l'Haripath è la linfa vitale della pratica quotidiana. Milioni di pellegrini cantano questi 28 abhanga ogni giorno durante il cammino sacro verso Pandharpur.

Su questo Testo

Composto da: Sant Dnyaneshwar · Medieval Warkari Poet-Saint · 13th century, Maharashtra

A Marathi philosopher-saint who, tradition holds, composed the Dnyaneshwari — a celebrated Marathi commentary on the Bhagavad Gita — in his teens. He is considered a foundational figure of the Warkari (Vitthal-devotee) tradition of Maharashtra, and his Pasaydan is recited to this day as a universal prayer for the wellbeing of all beings.

Lo sapevi?

Universal Varkari Liturgy

Composed of exactly 28 four-line abhangas in traditional Marathi meter, this text forms the central daily prayer chanted at dawn and sunset across millions of homes and temple gatherings in Maharashtra.

The Four Liberations (Mukti Chari)

The opening verse establishes that even a single fleeting moment standing at the Divine doorway with devotion grants all four classical stages of liberation: Salokya (residing in God's realm), Sameepya (living close to God), Saroopya (reflecting God's divine form), and Sayujya (complete non-dual union).

Churning the Scriptures for Butter

In Verse 2, Dnyaneshwar employs the classic metaphor of churning milk into rich butter: among all 4 Vedas, 6 Darshana Shastras, and 18 Puranas, the golden essence extracted is solely the remembrance of Hari.

Non-Dual Devotion (Advaita Bhakti)

Throughout the work, Dnyaneshwar reconciles Shankaracharya's non-dual Advaita with joyful devotional surrender. Verses 15 and 20 explicitly state that Hari is the single inner Self (Atman) residing identically in both the seeker (Jiva) and Supreme Consciousness (Shiva).

Democratic Access to the Divine

Writing in colloquial 13th-century Marathi rather than exclusionary classical Sanskrit, Dnyaneshwar made high spiritual liberation effortlessly accessible to farmers, artisans, outcasts, women, and householders without requiring severe mortification or complex Vedic rituals.

Sanjeevan Samadhi Heritage

The Haripath is continuously sung around the Sanjeevan Samadhi shrine of Sant Dnyaneshwar at Alandi, where he entered eternal subterranean meditation in 1296 CE at the tender age of twenty-one.

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