Bharat Devotion
Embroidered artwork for 胜利归于世界之主: Embroidered Om symbol above a brass diya, marigolds and a temple spire at sunrise

胜利归于世界之主

胜利归于世界之主

这是一首广受喜爱的印度教阿尔蒂,赞颂世界之主(毗湿奴或克里希纳)为至上的护持者,在傍晚礼拜中吟唱,以祈求加持并表达虔敬。

经文段落

oṃ jaya jagadīśa hare , svāmī jaya jagadīśa hare bhakta janoṃ ke saṃkaṭa , dāsa janoṃ ke saṃkaṭa , kṣaṇa meṃ dūra kare oṃ jaya jagadīśa hare
Om Jai Jagdish Hare, Swami Jai Jagdish Hare Bhakt Janon Ke Sankat, Das Janon Ke Sankat, Kshan Mein Door Kare Om Jai Jagdish Hare

第节 1

jo dhyāve phala pāve , duḥkhabina se mana kā , svāmī duḥkhabina se mana kā sukha sampati ghara āve , sukha sampati ghara āve , kaṣṭa miṭe tana kā oṃ jaya jagadīśa hare
Jo Dhyave Phal Pave, Dukh Bin Se Man Ka, Swami Dukh Bin Se Man Ka Sukh Sampati Ghar Aave, Sukh Sampati Ghar Aave, Kasht Mite Tan Ka Om Jai Jagdish Hare

第节 2

māta pitā tuma mere , śaraṇa gahūṃ kisakī , svāmī śaraṇa gahūṃ maiṃ kisakī tuma bina aura na dūjā , tuma bina aura na dūjā , āsa karūṃ maiṃ jisakī oṃ jaya jagadīśa hare
Maat Pita Tum Mere, Sharan Gahoon Kiski, Swami Sharan Gahoon Main Kiski Tum Bin Aur Na Dooja, Tum Bin Aur Na Dooja, Aas Karoon Main Jiski Om Jai Jagdish Hare

第节 3

tuma pūraṇa paramātmā , tuma antaryāmī , svāmī tuma antaryāmī pārabrahma parameśvara , pārabrahma parameśvara , tuma saba ke svāmī oṃ jaya jagadīśa hare
Tum Pooran Parmatma, Tum Antaryami, Swami Tum Antaryami Paarbrahm Parameshwar, Paarbrahm Parameshwar, Tum Sab Ke Swami Om Jai Jagdish Hare

第节 4

tuma karuṇā ke sāgara , tuma pālanakartā , svāmī tuma pālanakartā maiṃ mūrakha phalakāmī maiṃ sevaka tuma svāmī , kṛpā karo bhartā oṃ jaya jagadīśa hare
Tum Karuna Ke Sagar, Tum Palankarta, Swami Tum Palankarta Main Moorakh Phalkami Main Sevak Tum Swami, Kripa Karo Bharta Om Jai Jagdish Hare

第节 5

tuma ho eka agocara , sabake prāṇapati , svāmī sabake prāṇapati kisa vidhi milūṃ dayāmaya , kisa vidhi milūṃ dayāmaya , tumako maiṃ kumati oṃ jaya jagadīśa hare
Tum Ho Ek Agochar, Sabke Pranpati, Swami Sabke Pranpati Kis Vidhi Miloon Dayamay, Kis Vidhi Miloon Dayamay, Tumko Main Kumati Om Jai Jagdish Hare

第节 6

dīna - bandhu duḥkha - hartā , ṭhākura tuma mere , svāmī rakṣaka tuma mere apane hātha uṭhāo , apane śaraṇa lagāo dvāra paḍā tere oṃ jaya jagadīśa hare
Deen-Bandhu Dukh-Harta, Thakur Tum Mere, Swami Rakshak Tum Mere Apne Hath Uthao, Apne Sharan Lagao Dwaar Pada Tere Om Jai Jagdish Hare

第节 7

viṣaya - vikāra miṭāo , pāpa haro devā , svamī pāpa haro devā śraddhā bhakti baḍhāo , śraddhā bhakti baḍhāo , santana kī sevā oṃ jaya jagadīśa hare
Vishay-Vikar Mitao, Paap Haro Deva, Swami Paap Haro Deva Shraddha Bhakti Badhao, Shraddha Bhakti Badhao, Santan Ki Seva Om Jai Jagdish Hare

第节 8

Worship Guidelines & Chanting Benefits (Phalashruti)

Auspicious Day

Wednesday (Budhwar), Thursday (Guruwar) & Ekadashi

Best Time (Muhurta)

Early Morning (Brahma Muhurta) or Sandhya (Twilight)

Sacred Offerings

Tulsi leaves, Butter (Makhan), Mishri, Yellow flowers & Chandan

Spiritual Benefits (Phalashruti)
  • Awakening of pure divine love (Prema Bhakti), mental joy, and freedom from anxiety
Chanting Practice:Sing together with family at the conclusion of evening worship while offering a circular light flame.

经典背景

这首颂歌属于印度教的阿尔蒂传统,即以歌赞与灯火表达的虔诚歌曲,常在寺庙与家中的傍晚礼拜中吟唱。它献给世界之主,即毗湿奴或克里希纳的名号,意为「宇宙之主」。此歌约于1870年由旁遮普学者、雅利安社时代的诗人施罗达·罗摩·菲劳里(1837至1881年)所作,此后便流传于口耳相传之中。因其简朴而深刻地表达了皈依与虔敬,它成为北印度印度教家庭与寺庙中最广为吟唱的阿尔蒂之一。此歌称神为世界之主、世界的养持者以及内在主宰,这些皆为至上而遍在之实相的名号,见于《毗湿奴往世书》;其意也回应了《薄伽梵歌》第十章第20颂中神居于每一颗心中的教导。

关于此经文

作者: Pandit Shraddha Ram Phillauri

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作者与起源

这首深受喜爱的阿尔蒂约1870年由旁遮普学者、雅利安社相关的社会改革者施罗达·罗摩·菲劳里所作。它已成为北印度印度教礼拜的基本内容,在无数家庭与寺庙的傍晚阿尔蒂仪式中吟唱。

语言与诗体

此歌以布拉杰语写成,这是与克里希纳虔信传统紧密相连的印地语方言。七节诗各自保持一致的格律,每节两行祈求或赞颂,之后接以叠句「唵,胜利归于世界之主」,形成适于众人齐唱的一呼一应结构。

神学主题

歌词称神为世界之主,并强调全然的皈依,信徒宣告神为母、父与唯一的依归。所突显的神性特质包括遍在(内在主宰)、慈悲的海洋,以及解除苦难与罪业者的角色,反映了核心的毗湿奴派虔信神学。

在礼拜中的运用

此阿尔蒂通常在傍晚供养的结尾演唱,常以油灯在神前挥动。它简单而反复的结构,使幼童也能参与,它是许多印度教徒最早学会的颂歌之一,成为家庭与寺庙礼拜的共同纽带。

文化的影响

「唵,胜利归于世界之主」除了用于礼拜,也出现在流行文化中,包括电影与虔信专辑,并于排灯节与黑天诞辰节等节庆中被吟唱。它的普世感染力在于其直接、真挚的护佑与恩典之求,超越了印度教内部的宗派界限。